Lyrics
You already know what time it is mane
You are aware of the current situation.
It's ya boy dj down n' dirty, down n' dirty comin' down in through, what it do what it do
The speaker, DJ Down N' Dirty, is making an entrance and greeting the audience.
What it do, you already know what it's gone do
Anticipation about the upcoming events; the expected actions or outcomes.
Know what I'm sayin', got a lil 2 player lil 2 player, lil 'sumn new
Introduction of a new element or concept related to "2 player."
Let's go
Expression to start or initiate something.
Real players from the South
Repetition emphasizing the identity of genuine individuals originating from the South.
Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South (Ok)
-Real players from the South (Uh)
-Real players from the South
Reiteration of the authenticity of individuals from the South.
Jumped in my cutlass (Cutlass)
Narrative about driving in a Cutlass, using switches, and emphasizing discretion.
Rolling on switches (Switches)
-Doubled up my digits (Digits)
-Didn't leave a witness (Witness)
-Running through this bitch, but not to elevate my fitness (Ok)
Action of running through situations, providing insight, and conducting business.
School'em with da vision (Ok)
-Gave'em all da business (Ok)
-Don't you get mad at me (Me)
Emphasis on the speaker's reputation, leadership qualities, and the importance of their name.
It had to be, a young country nigga coming out the gate wit it (Out the gate wit it)
-They lookin' for some leadership, bitch I stay with it (Bitch I stay wit it)
-My name mean everything, so I don't play wit it (I don't play wit it)
-N***** hatin', we can't save'em drinking gin and socko
Dealing with negativity and confrontation, possibly with a reference to intoxication.
If he keep on talkin' shit, I'll knock the meat out his taco
-Ridin' round blowing big bumpin' Chad (Bumpin' Chad)
Description of the speaker's surroundings and maintaining dominance.
Premro, Winston Rogers in da back (In da back)
-Windows down known for keeping foot on ass (Ass)
-All that weak shit you do will never get a pass (Uh)
Rejecting weak actions or behavior.
I'm still a big tymer rhymer, to the top climber
Asserting oneself as a successful and influential figure in the rap industry.
Now I got attention undivided, better know that I'ma I'ma (Ok)
-Real players from the South
Reiteration of the authenticity of individuals from the South.
Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South
-Ugh, how da fuck you tell a p-i-m-p how to pimp
Rhetorical question challenging someone's authority on a subject.
When yo momma was a hoe, and yo daddy was a simp
-I'ma out da trunk souljah (Souljah)
Asserting dominance and capability, possibly with violent undertones.
I thought I told ya (Uggh)
-Put one through yo car door, shit might rip right thru yo shoulders
-Playas from da South stack Velveeta mane (Veeta mane)
Stacking wealth and power, with references to cultural and regional elements.
Power up and kill you monkeys like Vegeta mane (Geeta mane)
-Georgia Peach in my seat Like Rasheeda mane (Sheeda mane)
-Pimp hard, ball n' g, I'ma bleed it mane (Bleed it mane)
-Like that boy from New Orleans, holler danger (Boom)
Asserting dominance in various ways, including wordplay and references to influence.
Jack the Rippa' when I cripple n**** I'ma microphone strangler
-I told dem hoes, it take two to tangle (Two to tangle)
-Intoxicated like ripple, playboy on my slippers off da hanger
-Made in da trunk, and the streets (And the street)
Expressing authenticity and dismissing insincere communication.
You send that bitch ass text, look at that shit and then delete
-Don't want yo 'mp3, yo U-R-L you weak (Bitch you weak)
Rejecting inferior forms of communication and asserting dominance.
Like a custodian, we comin' for da sweep, cuz we
-Real players from the South
Reiteration of the authenticity of individuals from the South.
Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South
-Real players from the South
Final repetition of the authenticity of individuals from the South, concluding the lyrics.
Comment