Taro

Capturing the Human Drama: Taro's Lens
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Lyrics

Indo-china, Capa jumps Jeep, two feet creep up the road

Reference to Indo-China, war photographer Robert Capa jumps from a Jeep, moving cautiously on the road to capture images of war

To photo, to record, meat lumps and war

Describes Capa's purpose: to photograph and document the brutality of war, including its gruesome aspects

They advance as does his chance, oh, oh

As Capa advances, his chances of capturing impactful images increase

Very yellow white flash

Depicts a bright, explosive moment in the war with a yellow-white flash

A violent wrench grips mass, rips light, tears limbs like rags

Violent imagery of a wrenching force tearing through masses, causing destruction

Burst so high finally Capa lands

Capa's leap reaches a climax, possibly symbolizing his achievement or impact

Mine is a watery pit

Metaphorical description of the narrator's emotional state as a watery pit

Painless with immense distance

The narrator feels distant and detached, experiencing painlessness

From medic from colleague, friend, enemy, foe, him five yards from his leg

Describes the distance from various relationships, emphasizing the isolation of war

From you Taro

The narrator addresses Taro, possibly a lover or friend

Oh, oh, oh

Repetition of "oh" suggests emotional intensity or distress

Do not spray into eyes

Instruction not to spray into eyes, possibly a metaphor for avoiding painful truths

I have sprayed you into my eyes

The narrator admits to willingly subjecting themselves to emotional pain


Three ten

Specifies a time (3:10 PM), possibly a critical moment in the story

Pm Capa pends death, quivers, last rattles, last chokes

Describes Capa's impending death with physical reactions

All colors and cares glaze to grey

Alludes to the fading of colors and cares as death approaches

Shriveled and stricken to dots

Depicts the physical deterioration of the body

The left hand grasps what the body grasps not oh, oh

Symbolizes the body's last grasp, contrasting with what the left hand cannot hold

Le photographie est mort

Declares the death of photography, possibly implying the end of capturing moments or emotions

Three point one four one five, alive no longer my amour

References the mathematical constant pi (3.1415) as a symbol of life, now no longer alive

Faded for home May of '54

Specifies the time May of '54, suggesting a historical context and possibly a personal connection

Doors open like arms, my love

Describes doors opening like arms, symbolizing an embrace or welcome

Painless with a great closeness

The narrator feels painless with a great closeness, possibly implying a reunion with someone

To Capa, to Capa Capa dark after nothing, re-united with his leg

Describes Capa's reunion with his leg, possibly metaphorical for completeness or healing

And with you Taro, oh, oh, oh

The narrator is reunited with Taro, expressing emotional connection

Taro, oh, oh, oh

Repetition of "Taro, oh, oh, oh" emphasizes the emotional intensity


Do not spray into eyes

Reiteration of not spraying into eyes, possibly underscoring the avoidance of harsh realities

I have sprayed you into my eyes

Repetition of admitting willingly subjecting oneself to emotional pain


Hey Taro

Final mention of Taro, possibly concluding the narrative with the central figure

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