Dangerous

Navigating Love's Peril: Bailey Crego's 'Dangerous' Revelations
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Lyrics

Ohh she makes you blind to the things that you like

Expressing how the person being referred to has a captivating influence that obscures one's preferences.

You can turn your back but you know theres a knife

Despite turning away, there's an awareness of potential harm or betrayal.

Listen I can tell you she's a real ball of fire

Describing the person as highly energetic and engaging.

I tell her that I love her, but I know I'm a liar

Acknowledging the insincerity in professing love, implying internal conflict.


I can't stop thinkin that it's too late for love

Suggesting a sense of regret or missed opportunity regarding love.

It's too late to love your heart

Reiterating the theme that it's too late to love the person's heart.

I'm thinkin that you're too dangerous

Labeling the person as "dangerous," indicating a perceived risk or harm associated with them.

Yeah too dangerous for my heart

Emphasizing the perceived danger the person poses to the speaker's heart.


Yeah she makes me try to believe her (it's alright)

Highlighting the person's persuasive nature, urging the speaker to believe in them.

Ooh she really had me, I was stuck holding tight

Describing a moment of intense captivation, feeling stuck or unable to let go.

I'm sick of all your sad sad storys

Expressing frustration with the person's sad stories or excuses.

We're busy, what's the worry?

Dismissing concerns, emphasizing busyness, and downplaying worries.

I don't want another story from you

Rejecting the idea of hearing another story from the person.


I can't stop thinkin that it's too late for love

Repeating the sense of missed opportunity or regret in the context of love.

It's too late to love your heart

Reiterating that it's too late to love the person's heart.

I'm thinkin that you're too dangerous

Reaffirming the belief that the person is too dangerous, implying potential harm.

Yeah too dangerous for my heart

Stressing the perceived danger the person poses to the speaker's heart.


(You can Turn your Back)

Repeating the idea that one can turn away from the person, emphasizing the possibility of avoiding the perceived danger.

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