One Thing
Enigmatic Encounters: Unraveling Intimate Reflections
Lyrics
One thing, yeah about you
Expressing the focus on a singular aspect or quality related to the person being addressed.
You always, yeah you always know
Highlighting the consistent and intuitive understanding the person has about the speaker.
What's happening
Acknowledging the person's awareness of current events or situations.
Perfect in the morning
Describing a state of perfection, possibly associated with the beginning of the day.
And you ruin it in the evening
Contrasting the earlier perfection, suggesting a negative turn of events in the evening.
Remarkable
Emphasizing the exceptional nature of something, possibly a person or experience.
When a likeness comes
Describing the impact when a similar or resembling entity emerges.
You're lucky just to meet
Suggesting the rarity and fortune associated with encountering this likeness.
Come down the hill
Referencing a physical movement, possibly a descent, and ascent, adding a sense of journey.
And up the stairs
Providing spatial details, possibly symbolizing obstacles or challenges.
She never really sleeps
Indicating a lack of rest, possibly suggesting a restless or active nature.
Closer now in the mirror
Describing proximity in a reflective surface, suggesting self-awareness or introspection.
Your reflection, my reflection
Highlighting the connection between the speaker's reflection and the person being addressed.
Growing nearer
Suggesting a progressive closeness between the speaker and the person mentioned.
Pressure oh the pressure
Introducing the theme of pressure, possibly related to expectations or challenges.
In confession
Referencing confession, possibly indicating a need for openness or honesty.
Hallelujah
Expressing a sentiment of praise or celebration.
Remarkable
Repeating the idea of encountering a likeness, suggesting a recurring theme.
When a likeness comes
Noting the elusive nature of this likeness, always remaining out of reach.
You're always out of reach
Highlighting the inaccessibility of the person or entity being described.
The faces in the secondhand
Referring to faces in the secondhand, possibly indicating a detachment or indirect interaction.
A little fuck off kiss
Introducing a provocative gesture, suggesting a mix of affection and defiance.
Remarkable
Reiterating the idea of encountering a remarkable person, emphasizing luck in the meeting.
That you're lucky just to meet
Reflecting on the descent and ascent again, possibly indicating cyclical or repeated experiences.
Come down the hill
Repeating the notion of the person never truly sleeping, possibly suggesting constant activity or vigilance.
'Cause she never really sleeps
Concluding with the idea that the person addressed is in a perpetual state of wakefulness.
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