Playa's Ball
Playa's Ball: A Sultry Night, A Mysterious Encounter
Lyrics
How y'all feelin' tonight?
Initiating interaction, checking the audience's mood.
I said, how y'all feelin' tonight? (Alright)
Reiterating the inquiry about the audience's mood.
Well ladies if you in the buildin'
Addressing ladies in the building.
And you sexy and you got that feel
Complimenting and encouraging confident ladies to respond.
Let me hear you say, "Yeah" (yeah)
Requesting enthusiastic response from confident ladies.
Say, "Yeah" (yeah)
Repeating the request for an affirmative response.
And all my dogs in the buildin', playas if you hustlin'
Addressing the male audience, particularly those hustling.
Hustlers are just tryna make that cash
Acknowledging hustlers trying to make money.
Say, "hell yeah" (hell yeah)
Seeking affirmation from hustlers in the audience.
Say, "hell yeah" (hell yeah)
Reiterating the call for affirmation from hustlers.
Oh, baby (baby)
Expressing a sense of comfort or relaxation.
I been chillin' right here all night long (woo-ooh)
Indicating the duration of staying in a place.
It's just crazy that the baddest woman came along (and girl)
Expressing surprise or admiration for an attractive woman.
I bet you could change the weather
Suggesting that the woman has a positive impact on the speaker's life.
Better yet, my life
Highlighting the transformative effect of the woman's presence.
If you hold me baby (hold me baby)
Requesting emotional support or comfort from the woman.
Sweeter than honey (honey)
Describing the woman as exceptionally sweet.
You can have it all even my money, yeah (even my money baby)
Indicating a willingness to share everything, including money.
Got all my dogs laughin' 'cause it's funny
Referring to the humor in the situation, possibly love-struck.
I'm such a fool for you
Expressing strong affection or infatuation.
Yeah all of this and I don't even know her name
Admitting a lack of knowledge about the woman despite strong feelings.
(Boom, tch, ka, tch, b-boom, boom, ka, boom)
Instrumental sounds, no specific lyrical content.
(Boom, tch, ka, tch, b-boom, boom, ka, boom)
-(Boom, tch, ka, tch, b-boom, boom, ka, boom)
-(Boom, boom)
-I see it makes you smile when I call you baby (baby)
Observing the woman's positive response when called "baby."
I hope I can see that smile every day (ooh-ooh)
Expressing a desire to see the woman happy every day.
And I walked over here because they asked, "Who?" (Girl)
Describing an encounter where the speaker pointed to the woman.
And I said, "You"
-Yeah all of this and I don't even know your name (your name)
-I guess that's what I'll call you just for now (just for now)
-And baby 'fore you leave please take a bow (and girl)
Asking the woman to acknowledge her impact before leaving.
Yes, you, oh
Specifically addressing the woman to take a bow.
As I walk you out, baby, can I know your name?
Expressing curiosity about the woman's name before departure.
Time is of the essence, diamonds in your presence
Stressing the importance of time, expressing admiration.
Want you to myself, would you consider that is selfish?
Posing a question about exclusivity in a relationship.
Okay, well then cool
Accepting a potential negative response to the previous question.
That's just been the mood
Reflecting on a certain mood or atmosphere.
You know that certain feelin' when they drop you off at school
Recalling a familiar feeling, possibly nostalgia.
You loco with your homies, cyphers in the hall
Describing experiences and challenges in a metaphorical journey.
Your first nickel bag, you be caught up in the fall
-Jordans on the park, roaders wanna rob
-Hoes wanna link up, but your cellphone need a charge
-How do we connect other than the internet?
Pondering about connecting with others beyond the internet.
She brought her homie with her, how she know I'm into that?
-That's such a perfect guest, this a hustler's tournament
Highlighting the challenges and irreversible nature of a hustler's journey.
The road to the riches, bitches ain't no turnin' back (ow)
-Maybach Music
Introducing and representing the artists involved in the song.
The biggest boss, Young Renzel
-BJ The Chicago Kid
-(Yeah) AKA The Windy City
-Bitch better catch this breeze
-M-I-Yayo, cocaine cowboy
-Young Renzel, AKA the biggest boss
Reiterating the artist's moniker, emphasizing significance.
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