Ossified
Enigmatic Echoes: Unraveling the Depths of 'Ossified'
Lyrics
Lost in the sound when I hear your name
Expressing the feeling of being absorbed or captivated by the sound associated with the mentioned person's name.
Say that you're found cause I feel the shame
Indicating a desire for the person to claim they are found, possibly to alleviate a sense of guilt or embarrassment.
Come back around we might go insane now
Suggesting that reuniting with the person might lead to a state of madness or intense emotions.
Baby don't stop cause I'm for your game
Encouraging the person not to cease their actions or behavior because the singer is participating willingly in their game.
Lost in the sound when I hear your name
Reiteration of the theme of being immersed in the sound associated with the person's name.
Say that you're found cause I feel the shame
Repeating the desire for the person to affirm that they are found, accompanied by a feeling of shame.
Come back around we might go insane now
Re-emphasizing the potential for insanity upon reuniting and urging the person not to stop their actions.
Baby don't stop cause I'm for your game
Reiterating the singer's willingness to participate in the person's game.
You're like the bad, bad, bad girl
Describing the person as a rebellious or non-conforming individual with the repetition of "bad girl."
And me the bad, bad, bad girl
Associating the singer with similar rebellious qualities as the person mentioned.
You're like the bad, bad, bad girl
Repeating the characterization of the person as a "bad girl."
Let her go at it, grow up and die
Suggesting detachment and a willingness to let the person pursue their own path, even if it leads to negative consequences.
You, tell me all these sweet lies, sweet lies
Highlighting the reception of false or pleasing statements from the person, described as "sweet lies."
You, give me all these deep eyes, deep eyes
Noting the impact of the person's intense gaze, described as "deep eyes."
You, tell me all these sweet lies, sweet lies
Reiteration of receiving deceptive yet pleasing statements from the person.
You, give me all these deep eyes, deep eyes
Acknowledging the profound and captivating nature of the person's gaze.
Lost in the sound when I hear your name
Reflecting once again on the immersive impact of the person's name on the singer.
Say that you're found cause I feel the shame
Expressing the desire for the person to acknowledge their presence and alleviate feelings of shame.
Come back around we might go insane now
Highlighting the potential for emotional turmoil upon reuniting with the person.
Baby don't stop cause I'm for your game
Encouraging the person to continue their actions or behavior in the mentioned "game."
Lost in the sound when I hear your name
Reiteration of being entranced by the sound linked to the person's name.
Say that you're found cause I feel the shame
Repeating the wish for the person to claim they are found, accompanied by a sense of shame.
Come back around we might go insane now
Emphasizing the potential for madness or intense emotions upon reuniting.
Baby don't stop cause I'm for your game
Reaffirming the singer's willingness to be a participant in the person's game.
You're like the bad, bad, bad girl
Characterizing the person once again as a rebellious or non-conforming "bad girl."
And me the bad, bad, bad girl
Associating the singer with similar qualities as the person, both being described as "bad girls."
You're like the bad, bad, bad girl
Reiterating the characterization of the person as a "bad girl."
Let her go at it, grow up and die
Expressing a detached attitude, allowing the person to pursue their own path, even if it leads to negative consequences.
You, tell me all these sweet lies, sweet lies
Highlighting the reception of false or pleasing statements from the person, described as "sweet lies."
You, give me all these deep eyes, deep eyes
Noting the impact of the person's intense gaze, described as "deep eyes."
Thanks for watching
Expressing gratitude or acknowledgment for the audience's attention or observation.
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