As I Went Out One Morning

Chains of Deceit: Bob Dylan's Tale of Love, Betrayal, and Tom Paine
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Lyrics

As I went out one morning

Setting the scene, the narrator recalls a morning outing.

To breathe the air around Tom Paine's

The narrator went to the vicinity of Tom Paine's, a historical figure associated with political writings.

I spied the fairest damsel

The narrator notices a woman, described as the fairest damsel, suggesting beauty but also possibly entanglement.

That ever did walk in chains

The woman seems burdened or constrained, walking in chains, symbolizing some form of captivity or oppression.

I offer'd her my hand

The narrator offers assistance or companionship to the woman.

She took me by the arm

The woman accepts the narrator's gesture by taking his arm.

I knew that very instant

The narrator senses a threat or danger from the woman at that very moment.

She meant to do me harm

Confirming the danger, the woman intends harm to the narrator.


Depart from me this moment

The narrator demands the woman to leave immediately.

I told her with my voice

The narrator communicates his decision to the woman using his voice.

Said she, but I don't wish to

The woman expresses a lack of desire to leave.

Said I, But you have no choice

The narrator asserts that the woman has no choice in the matter.

I beg you, sir, she pleaded

The woman pleads with the narrator.

From the corners of her mouth

Description of the woman's plea, possibly hinting at a hidden agenda or motive.

I will secretly accept you

The woman suggests a secret acceptance and a plan to escape together, flying south.

And together we'll fly south

Implies a clandestine and collaborative departure towards the south.


Just then Tom Paine, himself

Tom Paine, a historical figure, becomes present in the narrative.

Came running from across the field

Tom Paine is depicted as running towards the scene from a distance.

Shouting at this lovely girl

Tom Paine intervenes, addressing the woman and commanding her to yield, suggesting authority or control.

And commanding her to yield

Tom Paine's involvement intensifies the situation.

And as she was letting go her grip

The woman releases her grip, possibly under Tom Paine's influence or command.

Up Tom Paine did run

Tom Paine reaches the scene as the woman lets go.

I'm sorry, sir, he said to me

Tom Paine apologizes to the narrator for the woman's actions.

I'm sorry for what she's done

Tom Paine expresses regret for the woman's behavior.

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