Bump
Irresistible Temptations: Cameron Scott Watson's 'Bump' Unveiled
Lyrics
What do they say, "if it seems too good to be true"
Questioning the authenticity of something that seems too good to be true.
There's not much left of me, but I can't get enough of you
Despite feeling diminished, the speaker is captivated by the other person.
Oh, you inspire me, while you're tearing me apart
Acknowledging the inspiration from the person causing emotional turmoil.
I'll try to keep my head, but can't slow down my heart
Struggling to maintain composure while intense emotions persist.
Oh, in this new skin, bruised skin, baby girl
Describing vulnerability in a new state, possibly indicating a change or transformation.
Take me to the world
Desire to explore new experiences with the person.
Oh, you can make me, break me, baby please
Expressing vulnerability and a plea for the other person's influence.
Show me which way to go
Seeking guidance and direction from the other person.
I can't take this, shake this, fake this
Feeling overwhelmed and unable to endure the situation.
Baby I'm on my knees
Acknowledging a state of submission or vulnerability.
Oh well I'm all done, no fun, no sun
Expressing dissatisfaction and a lack of enjoyment.
Baby tell me what you need
Request for clarity on the other person's needs.
You're so good to me
Recognition of the positive aspects of the relationship.
You're no good for me
Acknowledging that the relationship is not beneficial.
You're so good to me
Repetition of the conflicting feelings toward the person.
You're all I want
Expressing a desire for the person despite potential drawbacks.
You're no good to me
Reinforcing that the person is not beneficial for the speaker.
You're so good for me
Acknowledging the positive impact the person has.
You're no good to me
Reiterating the negative impact of the person on the speaker.
But I can't stop
Expressing inability to cease involvement with the person.
Together or apart, I'm not sure which is worse
Uncertainty about the preferable state—being together or apart.
But, oh, I need you baby, I don't care how bad it hurts
Despite potential pain, the speaker expresses a need for the other person.
Well, maybe this is it, maybe this is love
Speculating on whether the intense emotions indicate love.
Oh baby take my hand, I'm all yours to corrupt
Offering oneself willingly to the potentially corrupting influence of the other person.
You're so good to me
Reiteration of the positive aspects of the relationship.
You're no good for me
Acknowledging the detrimental effects of the relationship.
You're so good to me
Repetition of conflicting feelings and desires.
You're all I want
Expressing a strong desire for the person despite potential harm.
You're no good to me
Affirmation that the person is not beneficial.
You're so good for me
Recognizing the positive impact of the person.
You're no good to me
Reiteration of the negative consequences of the relationship.
But I can't stop
Expressing difficulty in ending the connection with the person.
You're so good to me
Repetition of the positive aspects of the relationship.
You're no good for me
Acknowledging the detrimental effects of the relationship.
You're so good to me
Reiteration of the positive aspects of the relationship.
You're all I want
Expressing a desire for the person despite potential drawbacks.
You're no good to me
Affirmation that the person is not beneficial.
You're so good for me
Recognizing the positive impact of the person.
You're no good to me
Reiteration of the negative consequences of the relationship.
But I can't stop
Expressing difficulty in ending the connection with the person.
No I can't stop
Emphasizing the inability to stop the emotions or the relationship.
No I can't stop
Repetition of the inability to stop the intense feelings.
No I can't stop
Reiteration of the inability to stop the emotions or the relationship.
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