Radio Interruption

This emphasizes the dual nature of the song, catering to both the streets and the radio, while challenging the mainstream to keep it authentic.

This for the streets, nah this for the radio

This for the streets, nah this for the radio

Well it's for radio then just keep it street, well go on do it then

The artist challenges radio stations to feature his music, boasting about his success and popularity, encouraging them to play more of his tracks.

Got a lot of rubber bands, time to count up all my grands

Well, go on do it then put a ninth caller in

Now we got a lot of jams, we gon' play a lot of Cham

The lyrics convey the artist's appeal to a woman, emphasizing his car's visual effects and its ability to change colors like a hologram.

Tell me she ain't got a man, plus she got a lot of damn

And she love how the Impala can

Change a bunch of colors like you lookin' at a hologram

Describes a woman's desire to ride in a car with 24-inch rims, with references to the car's features and the artist's imminent success in the music industry.

Butterfly do's raise up, she feelin' so

Special and she like my music better slow

Tell me that I'm fin' to blow, I reply to her, "I know"

The artist highlights his unique style that resonates with female listeners, expressing confidence in his music's popularity while promoting his brand "Chamillitary Mayne."

She say she's lovin' my style, she say she's lovin' my style

Turn on the radio and you probably hearin' nothin' but the

Chamillitary Mayne

An interruption in the song emphasizes the artist's representation of the South and the need to keep the music genuine and street-oriented.

I'm representin' the South, I'm representin' the South

And know how we get down, know we gotta keep it gutter and street

Go on do it then

References to women in the artist's life, with descriptions of their physical attributes and a play on the green eyes matching the cash.

'Cause she love a rapper, see a nigga she gonna snatch him fast

Fine and you can't say that she don't have an ass

Plus her eyes green enough to even up and match my cash

Introduction of a Hispanic college girl, her dance skills, and a comparison of living spaces, showcasing the artist's success.

Pray the way she back that ass up her class she has to pass

The others bad and black, take her to the bachelor pad

Crib big yo, her man's crib is less than half of that

The artist mentions reaching out to DJs, expecting them to acknowledge his unique flow, despite the radio station's current reluctance to play his music.

They'll say Chamillionaire got a crazy flow

My radio station doesn't play it though

Say he gotta make somethin' for the ladies so

Reiteration of the artist's appeal to women, emphasizing his style, and the continuous branding of "Chamillitary Mayne."

She say she's lovin' my style, she say she's lovin' my style

Turn on the radio and you probably hearin' nothin' but the

Chamillitary Mayne

Another interruption reaffirms the artist's representation of the South and the importance of maintaining authenticity in the music industry.

I'm representin' the South, I'm representin' the South

And know how we get down, know we gotta keep it gutter and street

Go on do it then

The artist declares his revenge through his success, expecting America to acknowledge him. References to bass and fast cars further highlight his rise to fame.

I've made it here, America gon' have to feel me now

Hear that bass come rumblin', boys see me actin' up

Also see that fast pyoom pyoom when I pass him up

The artist calls for attention, claiming to be the best rapper in the Southern hemisphere, erasing commercial rappers from the game.

Listenin' here the sickest rapper in the Southern hemisphere

Yeah, keep it gutter, suckers missin' in the picture yeah

We erased them from the game, commercial rappers disappear

Repetition of the artist's frustration with radio stations not playing his music, despite having a unique flow that appeals to the audience.

They'll say Chamillionaire got a crazy flow

My radio station doesn't play it though

Say he gotta make somethin' for the ladies so

Continuation of the artist's appeal to women and the assertion that his music dominates the radio waves, reiterating the brand "Chamillitary Mayne."

She say she's lovin' my style, she say she's lovin' my style

Turn on the radio and you probably hearin' nothin' but the

Chamillitary Mayne

Another interruption emphasizes the artist's representation of the South and the necessity of maintaining a genuine, street-oriented style in his music.

I'm representin' the South, I'm representin' the South

And know how we get down, know we gotta keep it gutter and street

Go on do it then

The artist asserts his influence in the game, specifically in Houston, and reinforces the brand "Chamillitary Mayne" for recognition.

Them boyz down in Houston that got the streets on lock

But just in case they slow and don't know

Somebody tell em the name, Chamillitary Mayne

The artist invites listeners to express their opinions or make requests, reinforcing his confidence and openness to criticism.

You got something you wanna get off your chest

Give us a call, we're taking requests

Go on do it then