Lyrics
On me, on me
Expressing a sense of emphasis or focus on the speaker (on me).
On me, on me
Repetition for emphasis, reinforcing the idea of something being on the speaker (on me).
Balance it on me, ooh
Asking someone to bring balance onto the speaker (Balance it on me).
Can we love 'til the morning?
Questioning the possibility of continuing love until the morning.
Morning, morning, ooh
Repetition of "morning" for emphasis, possibly indicating a desire for a lasting love until the morning.
Make we reduce all the fighting
Suggesting a desire to decrease conflicts and arguments and increase love.
Increase the loving, ooh, ooh
Emphasizing the need for increased love.
Fefe ne fefe
Using rhythmic words (Fefe ne fefe) to express affection or admiration.
Your body dey wewe
Describing the attractive and sensual nature of the person's body.
I'm in love with you
Declaring love for the person.
I'm in love with you
Reiteration of love for the person.
Make I leave you for where, where
Expressing reluctance to leave the person.
If na lie I dey tell you
Asserting the truthfulness of the speaker's words.
Make water carry me go
Metaphorically suggesting a willingness to go wherever the water takes the speaker.
Water carry me go
Repetition for emphasis on the idea of water carrying the speaker away.
Girl, you don capture my soul
Declaring that the girl has captured the speaker's soul.
Girl, you don capture my soul (capture my soul)
Reiteration of the girl capturing the speaker's soul for emphasis.
From the night 'til the morning
Expressing a desire for the girl from night to morning.
Yeah, you know e be you am wanting
Confirming that the speaker wants the girl.
'Cause you fine and you sexy
Complimenting the girl's beauty and sexiness.
Nwa baby, do me gently
Addressing the girl as a baby and requesting gentle treatment.
E'we no show me shege, no use me play
Expressing displeasure if the girl disrespects or mistreats the speaker.
Dance to my Reggae
Inviting the girl to dance to the speaker's reggae music.
Are you ready?
Asking if the girl is ready for the next step.
Pack your bag make we fly go Paris
Suggesting a romantic getaway to Paris.
Answer, answer me o, mami
Asking the girl to respond or agree.
Only you fit to control me
Declaring that only the girl can control the speaker.
With your face and your big body
Highlighting the girl's facial features and body size.
Abeg no killy somebody pikin for here
Pleading for the girl not to harm anyone in the vicinity.
Oh, mami, only me wey fit handle you
Expressing the speaker's capability to handle the girl.
Make my waist no dey confuse you
Pleading for the girl not to be confused by the speaker's waist movements.
Abegi no killy somebody pikin for here
Pleading again for the girl not to harm anyone nearby.
Fefe ne fefe
Repetition of rhythmic words (Fefe ne fefe) to express ongoing affection.
Your body dey we-we
Reiteration of the attractive and sensual nature of the person's body.
I'm in love with you
Repeating the declaration of love for the person.
I'm I'm love with you
Reiteration of love for the person with a slight variation.
Make I leave you for where, where
Reiterating reluctance to leave the person.
If na lie I dey tell you
Affirming the truthfulness of the speaker's words.
Make water carry me go
Metaphorically expressing a willingness to go wherever the water takes the speaker.
Water carry me go
Repetition for emphasis on the idea of water carrying the speaker away.
Girl, you don capture my soul (capture my soul)
Reiteration that the girl has captured the speaker's soul.
(Yeah, yeah, yeah)
Additional emphasis on the girl capturing the speaker's soul.
Girl, you don capture my soul (capture my soul)
Concluding reiteration that the girl has captured the speaker's soul.
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