Lyrics
Way too in love and she knows
Expressing being deeply in love, and the subject of the affection is aware of it
Ooh, ooh
Interjection conveying an emotional response or emphasis
Ooh
Continuation of emotional response or emphasis
Leave me alone, she no go
Requesting to be left alone by the person interested in the relationship
Leave me alone, she's
Repetition of the plea to be left alone
Way too in love and she knows that I know
The person is deeply in love and aware that the singer is also aware of their feelings
Leave me alone
Reiteration of the desire to be left alone
Leave me alone, she's
Repetition of the plea for solitude
Way too in love with me now that I'm gone
The person is now deeply in love after the singer has distanced themselves
Where did we go wrong?
Questioning where the relationship took a wrong turn
Sixteen missed calls
There have been numerous attempts at contact from the person
Talkin' to you is like talkin' to a wall
Communicating with the person feels futile or unproductive
My mind no dey there
The singer's mind isn't focused or invested in the relationship anymore
You send me nudes
Receiving intimate photos, but the singer's interest or engagement is absent
But my mind no dey there anymore, ohh
Emphasizing the disconnection from the relationship emotionally
Is there someone else?
Questioning if there's another person involved
If I told you, "No", I'd be lyin' to myself
Admitting that denying the presence of another person would be dishonest
Is there someone else?
Repeating the question about the presence of another person
If I told you, "No", I'd be lyin' to myself
Reiteration that denying another person's presence would be self-deception
Leave me alone, she no go
Requesting solitude from the person interested in the relationship
Leave me alone, she's
Repeating the plea for solitude
Way too in love and she knows that I know
Similar to line 7, expressing the depth of the person's affection and mutual awareness
Leave me alone
Emphasizing the desire to be left alone
Leave me alone, she's
Reiteration of the plea for solitude
Way too in love with me now that I'm gone
The person's deep love after the singer's departure is highlighted again
Ooh, ooh
Reiteration of emotional interjection
Ooh
Continuation of emotional emphasis
You knew my weakness, you used it on me
Acknowledging that the person understood the singer's vulnerabilities and exploited them
You need forgiveness but forgiveness isn't free
The person seeks forgiveness, but it won't come easily
I moved on, I'm too far gone
Indicating the singer has moved on and is emotionally distant
Look what you've done to me, gyal
Expressing the impact or damage caused by the person
Is there someone else?
Repeating the question about the presence of another person in the singer's life
If I told you, "No", I'd be lyin' to myself
Admitting that denying the presence of another person would be self-deception
Is there someone else?
Repeating the question about another person's involvement
If I told you, "No", I'd be lyin' to myself
Emphasizing the dishonesty of denying another person's presence
Leave me alone, she no go
Reiteration of the plea for solitude
Leave me alone, she's
Repeating the request for space
Way too in love and she knows that I know (I know)
Reiterating the depth of affection and mutual understanding between the singer and the person
Leave me alone (leave me alone)
Emphasizing the desire to be left alone
Leave me alone, she's (leave me alone)
Repetition of the plea for solitude
Way too in love with me now that I'm gone
Highlighting the person's strong affection despite the singer's absence
Ooh, ooh
Emotional interjection, similar to lines 2 and 3
Ooh
Continuation of emotional emphasis
Comment