Make Room for the Roses

Fleeting Romance: Leaving Roses Behind
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Lyrics

What is it that you wanna know

Expressing curiosity about the information the other person seeks.

I didn't plan on taking things slow

Did not intend to proceed slowly in the relationship.

This adderall and whiskey bottles can make it feel natural

Referencing the use of Adderall and whiskey, possibly to cope with challenges and make the situation seem more natural.

I've been alone without someone I know and that's taken a little while

Experiencing loneliness without a familiar connection, taking time to adjust.

Strung on some fake ass love that takes my mind for miles

Caught up in a false or insincere love that mentally distances the speaker.


You don't wanna love somebody like me

Warning the other person that loving someone like the speaker might not be ideal.

This ain't the place for you I'd hate to make you think it's the real me

Stating that the current situation is not the real or true self.

when I don't feel a thing at all it's been too long

Expressing emotional numbness over an extended period.

This hollow chest won't do you justice, when you're so perfect

The speaker's emotional emptiness is not a fair representation when contrasted with the perfection of the other person.

I don't wanna make you feel unwanted you'd be better off with running

Expressing concern about making the other person feel unwanted and suggesting they might be better off leaving.


So honey tell me what you're looking for

Asking the other person to clarify their desires or intentions.

Is it the free drink that'll lead you

Questioning whether the attraction is based on material things like free drinks.

To my sheets and it's waiting out that door

Describing a scenario where the other person may leave after a physical encounter.

Hit every wall walking on the way out

Highlighting obstacles and challenges encountered on the way out.

To that street makes you want me

Suggesting that overcoming obstacles makes the other person desire the speaker more.

To undress that silhouette and leave it on the floor

Desiring a deeper connection beyond physical intimacy.

I hate to say it, hate to admit it

Reluctantly acknowledging a truth or realization about the situation.

But you got me leaving my last rose in your hands tonight

Symbolically leaving a significant gesture (last rose) in the other person's hands.


It's not like I wanna love you tonight

Expressing a lack of desire to love the other person on this particular night.

But whatever you're feeling is it gonna

Questioning the longevity of the emotions or connection between the speaker and the other person.

Last me a lifetime

Wondering if the feelings shared will last a lifetime.


Baby Don't get me wrong your touch has me stoned

Acknowledging the impact of the other person's touch while lamenting the speaker's unrequited feelings and loneliness.

But I hate that I'm not the one and I hate I'm numb of feeling alone

Expressing discomfort about not being the chosen one and the emotional numbness that comes with loneliness.


So honey tell me what you're looking for

Repeating the question about the other person's desires or intentions.

Is it the free drink that'll lead you

Reiterating the suspicion that the other person may be motivated by material gain, like free drinks.

To my sheets and it's waiting out that door

Describing the potential exit of the other person after a physical encounter.

Hit every wall walking on the way out

Emphasizing the challenges and obstacles faced on the way out.

To that street makes you want me

Suggesting that overcoming obstacles increases the other person's desire for the speaker.

To undress that silhouette and leave it on the floor

Expressing a desire for a deeper connection beyond physical intimacy.

I hate to say it, hate to admit it

Reluctantly acknowledging a truth or realization about the situation, echoing line 19.

But you got me leaving my last rose in your hand...

Symbolically leaving a significant gesture (last rose) in the other person's hands, echoing line 20.


Your rose, your hands tonight...

Repeating the symbolic act of leaving a significant gesture (last rose) in the other person's hands, emphasizing finality.

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