Lyrics
You're bad news
You, or the situation, are considered negative or harmful.
But I don't care
The speaker is indifferent to the negative aspects; there's a willingness to proceed despite the potential issues.
I'm thinking I wanna be into it
The speaker contemplates embracing the challenging situation or person.
I've seen you here before
The subject has been encountered in the past.
And now you're knocking at my door
The subject is actively seeking interaction.
And I don't think I'll hold myself back anymore
The speaker is expressing a lack of restraint, ready to engage without holding back.
Anymore
Reiteration of the speaker's lack of restraint or inhibition.
Your potion has got me in over my head
The impact of the subject's influence is profound and overwhelming.
I'm not gonna go with anyone else
The speaker is committed to exclusivity despite challenges.
If I can't resist you, I'll end up dead, oh
A sense of danger or risk is acknowledged, but the speaker is still drawn to the subject.
I'm not gonna go with anyone else
Reiteration of the commitment to exclusivity despite the risks.
You pull me
The subject has a downward influence on the speaker, but it's accepted or even appreciated.
You're pulling me down
Reiteration of the subject's pulling effect.
But I like it anyway
The speaker acknowledges the negative impact but still finds value or attraction.
Anyway
Reiteration of the acceptance of the negative impact.
I should be running away
A recognition that a rational decision would be to distance oneself, but emotions override logic.
But I don't use my head and I just stay
The speaker consciously chooses to stay despite the rational inclination to leave.
I just stay
Reiteration of the decision to stay despite potential consequences.
Your potion has got me in over my head
Reiteration of the profound impact of the subject's influence.
I'm not gonna go with anyone else
Reiteration of the commitment to exclusivity despite challenges.
If I can't resist you, I'll end up dead, oh
Awareness of the potential harm but still drawn to the subject.
I'm not gonna go with anyone else
Reiteration of the commitment to exclusivity despite the risks.
You make me feel
The subject's influence leads to a feeling of isolation or loneliness.
You make me feel
Reiteration of the emotional impact of feeling alone due to the subject.
You make me feel alone
The subject intensifies the speaker's sense of loneliness.
Alone
Reiteration of the heightened feeling of loneliness.
I can't go on
A declaration of an inability to continue with the current situation.
I can't go on
Reiteration of the inability to persist with the existing circumstances.
I can't go on with you
Specifically, the speaker can't continue with the subject.
No, I can't go on
Emphasizes the speaker's inability to endure the situation.
No, I can't go on
Reiteration of the speaker's inability to endure.
No, I can't go on
Further emphasis on the speaker's incapacity to continue.
Your potion has got me in over my head
Reiteration of the profound impact of the subject's influence.
I'm not gonna go with anyone else
Reiteration of the commitment to exclusivity despite challenges.
If I can't resist you, I'll end up dead, oh
Acknowledgment of the potential harm but the speaker's persistence in the exclusive commitment.
I'm not gonna go with anyone else
Reiteration of the commitment to exclusivity despite the risks.
Your potion has got me in over my head
Reiteration of the profound impact of the subject's influence.
I'm not gonna go with anyone else
Reiteration of the commitment to exclusivity despite challenges.
If I can't resist you, I'll end up dead, oh
Acknowledgment of the potential harm but the speaker's persistence in the exclusive commitment.
I'm not gonna go with anyone else
Final reiteration of the commitment to exclusivity despite the risks.
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