London Out There

Unveiling Subterranean Desires: London's Hidden Realm
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Lyrics

I want to chew to eat and swallow you

Expresses a desire for deep connection and intimacy, using metaphorical language of consumption.

I want to play, to play this game with you

Desires to engage in a game, suggesting a playful or challenging aspect in the relationship.

And I need perceptionality

Expresses a need for a profound understanding or insight into the other person.

And I need altered reality

Expresses a need for a distorted or alternative perception of reality.


You know you're living underground

Describes a sense of living in obscurity or hidden from the mainstream.

You're making a fuss but there's no one around

Highlights a contrast between making noise or causing disturbance and the absence of an audience.

You come up for air

Suggests emerging from obscurity or isolation.

It's still London out there

Despite emerging, the external environment (London) remains unchanged.


I need to splash, to spend and make a flash

Expresses a need for extravagance, excitement, and attention.

I need to chase, to race and nearly crash

Expresses a need for speed, competition, and the thrill of danger.

Call me Mr Conspicuous

Self-identifies as conspicuous, possibly seeking attention or recognition.

So call me if you're a part of this

Invites those who resonate with the described lifestyle to connect or communicate.


You know you're living underground

Reiterates the theme of living in obscurity or away from mainstream attention.

You're making a fuss but there's no one around

Continues to emphasize the paradox of making noise without an audience.

You come up for air

Repeats the emergence from obscurity theme.

It's still London out there

Despite emerging, London remains unchanged, reinforcing a sense of stagnation or sameness.


You know you're living underground

Reiteration of living underground and lack of external recognition.

You're making a fuss but there's no one around

Reiterates the contrast between making noise and the absence of an audience.

You come up for air

Repeats the emergence theme, suggesting a cyclic nature of visibility.

It's still London out there

Despite emerging, London remains the same, emphasizing a lack of transformative change.


You come up for air

Repeats the act of emerging but with a consistent unchanged external environment.

It's still London out there

Despite emerging, London's nature remains unaltered.


You know you're living underground

Reiterates the theme of living underground and the absence of an audience.

You're making a fuss but there's no one around

Emphasizes the contradiction between making a fuss and the lack of external recognition.

You come up for air

Repeats the cycle of emerging but with no apparent change in the external environment.

It's still London out there

Despite emerging, London's character remains unaffected.


You come up for air

Reiterates the action of emerging without transformative impact on London.

It's still London out there

Despite emerging, London persists in its unaltered state.


It's not what you say

Suggests that the spoken words are less significant than the manner of expression.

But something in the way to say, hey!

Emphasizes the importance of the way something is said over the literal content of the words.

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