Bodies

The repetition emphasizes a call for violence, urging bodies to hit the floor, creating a visceral and aggressive atmosphere.

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

The speaker questions the reasons for being beaten, expressing a sense of endurance and a limit to the suffering.

Can't take much more

(Here we go, here we go, here we go now)

Counting emphasizes a state of normalcy ("nothing wrong with me") contrasted with a feeling that something needs to change or give.

Two, nothing wrong with me

Three, nothing wrong with me

Four, nothing wrong with me

One, something's got to give

Two, something's got to give

Three, something's got to give now

Repetition reinforces the call for bodies to hit the floor, intensifying the aggressive tone.

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

A sense of finality is expressed, hinting at reaching a breaking point, possibly a culmination of frustration or aggression.

Push me again (again)

This is the end

(Here we go, here we go, here we go now)

Similar to lines 10-16, counting and the notion that "something's got to give" indicate a desire for change or release.

Two, nothing wrong with me

Three, nothing wrong with me

Four, nothing wrong with me

One, something's got to give

Two, something's got to give

Three, something's got to give now

Continuation of the call for bodies to hit the floor, maintaining the aggressive and intense theme.

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

Describes a violent scene where skin, blood, and bone collide, and an individual driven by hate and consumed by fear enters the fray.

You're all by yourself but you're not alone

You wanted in and now you're here

Driven by hate consumed by fear

Reiteration of the call for bodies to hit the floor, underscoring the aggressive and confrontational nature of the lyrics.

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

Repetition of the earlier counting pattern, emphasizing the need for change or release.

Two, nothing wrong with me

Three, nothing wrong with me

Four, nothing wrong with me

One, something's got to give

Two, something's got to give

Three, something's got to give now

Intensification of the call for bodies to hit the floor, maintaining the aggressive and relentless tone.

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

Let the bodies hit the floor

Short exclamations, possibly suggesting a physical action like jumping, adding to the overall intensity and urgency of the song.

Hey, jump

Hey, jump

Hey, jump