Ruins Are Buildings
Journey Through Regrets: Unraveling the Meaning of Elvin Byrds' 'Ruins Are Buildings'Lyrics
The roses on the floor show me the way to the penitentiary
The roses on the floor symbolize a path leading to the penitentiary, suggesting a journey towards a place of punishment or confinement.
One guard, one cell, my cemetery
Describing a solitary confinement situation with one guard and one cell, referring to it as a personal cemetery, possibly implying a sense of isolation and impending doom.
Good morning Judge, what may be my fine
Greeting a judge in the morning and inquiring about the penalty or punishment that may be imposed.
Can't fi
The line is incomplete, possibly indicating a hesitation or difficulty expressing a thought.
nd no way back to where I belong
Expressing a sense of being lost or disconnected, unable to find a way back to a place of belonging.
There's nowhere I belong
Emphasizing the absence of a place to belong, suggesting a feeling of displacement or alienation.
Ain't no grave close to the highway
Suggesting that there is no grave near the highway, possibly indicating a lack of permanence or attachment to a specific place.
No grave I belong
Reiterating the lack of a permanent resting place, emphasizing a sense of not belonging.
Good morning Judge, what's gonna be my fine
Repeating the morning greeting to the judge, seeking information about the impending punishment.
Regrets are waving like dancers
Describing regrets as visible and persistent, comparing them to waving dancers, possibly highlighting the unavoidable nature of remorse.
And dancers are waving in the hall
Continuing the metaphor of regrets as dancers, suggesting a presence in one's life and surroundings.
Can't run with no way to go
Expressing a feeling of being trapped with no clear direction to move forward.
No
The line is incomplete, possibly indicating a pause or uncertainty in expressing a thought.
road to fold back on, no train to catch
Describing a lack of options or opportunities to turn back, using metaphors of roads and trains.
On the red sky afternoons
Referencing red sky afternoons, possibly symbolizing challenging or difficult times.
It's just a matter of trust
Stating that trust is a crucial factor, presenting it as a simple choice to either accept or reject.
Take it or leave it
Reiterating the importance of trust, emphasizing the binary nature of the decision to accept or reject.
It's just a matter of regrets
Stating that regrets are inevitable, presenting them as a matter of fact.
Take 'em or leave 'em
Reiterating the inevitability of regrets and presenting them as a choice to either accept or reject.
Docks get filthy by sunshine
Describing docks becoming dirty in the sunshine, possibly symbolizing the tarnishing of things that were once bright or positive.
As people call they friends goodbye
Describing people saying farewell to their friends, possibly indicating a sense of departure or separation.
Regrets are waving l
Continuing the metaphor of regrets as waving dancers, underscoring their persistent presence.
ike dancers
Reiterating the metaphor of regrets as dancers, emphasizing their visibility and movement.
And dancers are waving in the hall
Continuing the description of dancers waving in the hall, possibly representing the presence of regrets in one's life.
Good morning Judge, what's gonna be my fine
Repeating the morning greeting to the judge and reiterating the inquiry about the impending punishment.
What's gonna be my fine
Repeating the question about the fine, emphasizing the uncertainty or anticipation of the outcome.
Your silence suits me fine
Suggesting that the silence of the judge is acceptable or favorable, possibly indicating a preference for the unknown over a known punishment.
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