Ruins Are Buildings

Journey Through Regrets: Unraveling the Meaning of Elvin Byrds' 'Ruins Are Buildings'
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Lyrics

The roses on the floor show me the way to the penitentiary

The roses on the floor symbolize a path leading to the penitentiary, suggesting a journey towards a place of punishment or confinement.

One guard, one cell, my cemetery

Describing a solitary confinement situation with one guard and one cell, referring to it as a personal cemetery, possibly implying a sense of isolation and impending doom.

Good morning Judge, what may be my fine

Greeting a judge in the morning and inquiring about the penalty or punishment that may be imposed.

Can't fi

The line is incomplete, possibly indicating a hesitation or difficulty expressing a thought.

nd no way back to where I belong

Expressing a sense of being lost or disconnected, unable to find a way back to a place of belonging.

There's nowhere I belong

Emphasizing the absence of a place to belong, suggesting a feeling of displacement or alienation.

Ain't no grave close to the highway

Suggesting that there is no grave near the highway, possibly indicating a lack of permanence or attachment to a specific place.

No grave I belong

Reiterating the lack of a permanent resting place, emphasizing a sense of not belonging.

Good morning Judge, what's gonna be my fine

Repeating the morning greeting to the judge, seeking information about the impending punishment.

Regrets are waving like dancers

Describing regrets as visible and persistent, comparing them to waving dancers, possibly highlighting the unavoidable nature of remorse.

And dancers are waving in the hall

Continuing the metaphor of regrets as dancers, suggesting a presence in one's life and surroundings.

Can't run with no way to go

Expressing a feeling of being trapped with no clear direction to move forward.

No

The line is incomplete, possibly indicating a pause or uncertainty in expressing a thought.

road to fold back on, no train to catch

Describing a lack of options or opportunities to turn back, using metaphors of roads and trains.

On the red sky afternoons

Referencing red sky afternoons, possibly symbolizing challenging or difficult times.

It's just a matter of trust

Stating that trust is a crucial factor, presenting it as a simple choice to either accept or reject.

Take it or leave it

Reiterating the importance of trust, emphasizing the binary nature of the decision to accept or reject.

It's just a matter of regrets

Stating that regrets are inevitable, presenting them as a matter of fact.

Take 'em or leave 'em

Reiterating the inevitability of regrets and presenting them as a choice to either accept or reject.

Docks get filthy by sunshine

Describing docks becoming dirty in the sunshine, possibly symbolizing the tarnishing of things that were once bright or positive.

As people call they friends goodbye

Describing people saying farewell to their friends, possibly indicating a sense of departure or separation.

Regrets are waving l

Continuing the metaphor of regrets as waving dancers, underscoring their persistent presence.

ike dancers

Reiterating the metaphor of regrets as dancers, emphasizing their visibility and movement.

And dancers are waving in the hall

Continuing the description of dancers waving in the hall, possibly representing the presence of regrets in one's life.

Good morning Judge, what's gonna be my fine

Repeating the morning greeting to the judge and reiterating the inquiry about the impending punishment.

What's gonna be my fine

Repeating the question about the fine, emphasizing the uncertainty or anticipation of the outcome.

Your silence suits me fine

Suggesting that the silence of the judge is acceptable or favorable, possibly indicating a preference for the unknown over a known punishment.

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