Lyrics
I don't have no time for straight lines
I prioritize unconventional paths and avoid straightforward approaches.
I step somewhere in between
I navigate a middle ground, not fully committed to one extreme or another.
I know in the other timeline
There exists an alternate reality where certain events unfold differently.
That you still love me
In that alternate reality, it is believed that you still harbor love for me.
Do I
Repetition emphasizes uncertainty, possibly questioning the current state of the relationship.
Do I
-Do I
-Do I
-Another song drips through the ether
A new creation enters the realm of existence.
Another song you won't listen to
You remain indifferent to another piece of art, perhaps a metaphor for emotional distance.
Never guess what this one is about
An acknowledgment that the true meaning of the song is not easily discerned.
Another song wasted on you
The effort invested in the song feels unappreciated or unreciprocated.
Do I
Continued uncertainty and questioning, reflecting inner turmoil or a search for validation.
Do I
-Do I
-Do I
-Thought we had more songs together
Expectation of a shared future, especially through shared creative endeavors.
Thought our paths would criss-cross through
The anticipation of intertwined paths, suggesting a close and enduring connection.
But you slipped away in silence
A realization that the connection has faded, marked by a quiet departure.
That was the last I heard from you
Communication ceased, and the silence marked the conclusion of the relationship.
Do I
Repetition of questioning, possibly expressing the persistent doubt and longing for clarity.
Do I
-Do I
-Do I
-I don't have no time for straight lines
Reiteration of a lack of interest in predictable and conventional paths.
I step somewhere in between
A repetition of navigating an in-between space, avoiding extremes.
I know in the other timeline
Reaffirmation of an alternate reality where love may still exist.
That you still love me
Conclusion with the belief that, in the other timeline, love endures.
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