Lyrics
Hey Mr Flavour pon the dance everybody
Expression of excitement for Flavour's presence on the dance floor, encouraging everyone to join.
Everybody let's go
Invitation for everyone to participate in the dance.
Come on let's go
Reiteration of the call to dance with Mr Flavour.
Come on na let's go
-Mr Flavour pon the dance eh
-Oya follow me follow me follow me
Encouragement to follow and pay attention.
Come come and see my wifey
Introduction of Flavour's wife, Adamma, highlighting her beauty and simplicity as an African woman.
Na beautiful baby oh Adamma ah
-See the way she's looking so simple
-Original woman na African baby oh Adamma ah
-She too fine e she too fine e chai
Expressing admiration for Adamma's beauty, comparing her to a ripe tomato from Jos.
Omaluma nesegwu
-Baby na tomato Jos oh Adamma
-She too simple she too humble
Highlighting Adamma's simplicity and humility, using Igbo words to emphasize these qualities.
Nwata manu ma nasaru
-Adamma you be my choice oh
Affirmation that Adamma is the singer's preferred choice.
Oya dance ya
Instructions for a dance sequence (Kporokoto) with a repetition for emphasis.
Kporokoto Kporokoto kporokoto
-Kporokoto Kporokoto kpom kpom kpom
-Kporokoto Kporokoto kporokoto
-Kporokoto Kporokoto kpom kpom kpom
-Baby fire
Expressing Adamma as the singer's heart's desire.
You're my heart desire
-Oya dance for mama
Encouraging dancing for both mothers and fathers.
Oya dance for papa
-Dance ya dance ya
-Anytime she waka for road oh
Describing Adamma's impact on the singer, causing trouble with her presence and beauty.
Na so she dey cause wahala
-She dey make all the boys dey hala Adamma
-Sofry sofry sofry
-Dey shake your big bakassi
-Adamma go put me for trouble oh Adamma
-She too fine e she too fine e chai
Reiterating Adamma's fine and humble qualities with reference to her simplicity and humility.
Omaluma nesegwu
-Baby na tomato Jos oh Adamma
-She too simple she too humble
-Nwata manu ma nasaru
-Adamma you be my choice oh
Reaffirmation of Adamma as the singer's choice.
Oya dance ya
Repeat of dance instructions and expressions of love for Adamma.
Kporokoto Kporokoto kporokoto
-Kporokoto Kporokoto kpom kpom kpom
-Kporokoto Kporokoto kporokoto
-Kporokoto Kporokoto kpom kpom kpom
-Baby fire
-You're my heart desire
-Oya dance for mama
-Oya dance for papa
-Dance ya dance ya
-Anytime she waka for road oh
Continuation of Adamma causing a stir among boys with her beauty, using playful language.
Na so she dey cause wahala
-She dey make all the boys dey hala Adamma
-Sofry sofry sofry
-Dey shake your big bakassi
-Adamma go put me for trouble oh Adamma
-She too fine e she too fine e chai
Reiteration of Adamma's fine qualities and acknowledgment of her as the singer's choice.
Omaluma nesegwu
-Baby na tomato Jos oh Adamma
-She too simple she too humble
-Nwata manu ma nasaru
-Adamma you be my choice oh
-Oya dance ya
Repeat of dance instructions and expressions of love for Adamma.
Kporokoto Kporokoto kporokoto
-Kporokoto Kporokoto kpom kpom kpom
-Kporokoto Kporokoto kporokoto
-Kporokoto Kporokoto kpom kpom kpom
-Baby fire
-You're my heart desire
-Oya dance for mama
-Oya dance for papa
-Dance ya dance ya
-Kporokoto Kporokoto kporokoto
Continuation of dance instructions and expressions of love for Adamma with added emphasis.
Kporokoto Kporokoto kpom kpom kpom
-Kporokoto Kporokoto kporokoto
-Kporokoto Kporokoto kpom kpom kpom
-Baby fire
-You're my heart desire
-Oya dance for mama
-Oya dance for papa
-Dance ya dance ya
-Mr Flavour pon the dance and John by the piano
-Moga G James Born
Reference to Mr Flavour on the dance floor and John playing the piano, possibly indicating the end of the song.
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