Gypsy
Gypsy Dreams: Unveiling the Dance of Freedom and Love
Lyrics
So I'm back to the velvet underground
Returning to a familiar and influential place or experience, possibly related to artistic inspiration.
Back to the floor that I love
Returning to a cherished place, symbolizing comfort and attachment.
To a room with some lace and paper flowers
Returning to a space adorned with delicate and artificial decorations.
Back to the gypsy that I was
Reconnecting with a past identity, particularly a mystical or unconventional one.
To the gypsy that I was
Emphasizing the return to a previous gypsy identity, reinforcing a sense of self.
And it all comes down to you
Stating that everything ultimately revolves around a specific person or situation.
Well, you know that it does and
Affirming the knowledge that the central person or thing holds significant influence.
Lightning strikes maybe once, maybe twice
Expressing the rarity and impactful nature of lightning strikes, drawing a parallel to a unique experience.
Oh and it lights up the night
Highlighting the visual and metaphorical effects of lightning illuminating the night.
And you see your gypsy
Encouraging the act of perceiving one's gypsy, suggesting a connection with inner self or freedom.
You see your gypsy
Reiterating the importance of observing and understanding one's gypsy identity.
To the gypsy
Referring again to the enduring gypsy identity that remains despite changes.
That remains
Describing the enduring nature of the gypsy, possibly linked to the concept of freedom.
Her face says freedom
Connecting the gypsy's face with freedom but acknowledging a trace of fear.
With a little fear
Acknowledging the presence of fear but asserting personal courage and lack of fear.
I have no fear
Declaring an existence filled only with love, emphasizing a positive and open perspective.
Have only love
Emphasizing the dominance of love in the speaker's emotional landscape.
And if I was a child
Reflecting on a hypothetical childhood and the sufficiency of being a child.
And the child was enough
Stating that being a child would be enough for the speaker to experience love.
Enough for me to love
Affirming that the love for a child would be adequate and fulfilling.
Enough to love
Reiterating the sufficiency of love, underscoring its importance.
She is dancing away from you now
Describing a departure or distancing of someone, potentially the gypsy figure.
She was just a wish
Characterizing the gypsy as a mere wish or desire.
She was just a wish
Reiterating that the gypsy was a wish, highlighting the transient nature of the experience.
And her memory is all that is left for you now
Noting that the memory of the gypsy is all that remains for the speaker.
You see your gypsy, oh
Encouraging the act of perceiving one's gypsy even in absence.
You see your gypsy
Reiterating the importance of observing and understanding one's gypsy identity, echoing earlier lines.
Ooh ooh, ohh, ohh-oh
Introducing vocalizations that convey emotional intensity and depth.
Lightning strikes
Repeating the idea of lightning strikes and their rare occurrence.
Maybe once, maybe twice
Reiterating the impactful nature of lightning strikes and their connection to a specific person or situation.
And it all comes down to you
Affirming that everything ultimately revolves around a specific person or situation, echoing earlier lines.
Ooh oh, and it all comes down to you
Repeating the idea that everything comes down to a specific person or situation.
Lightning strikes
Reiterating the rarity and impactful nature of lightning strikes.
Maybe once, maybe twice
Repeating the idea of lightning strikes and their connection to a specific person or situation.
And (oh) it all comes down to you
Affirming that everything ultimately revolves around a specific person or situation, echoing earlier lines.
I still see your (your) bright eyes, bright eyes
Recalling the vivid memory of the person's bright eyes, reinforcing their significance.
(And it all comes down to you)
Reiterating that everything comes down to the person with bright eyes, echoing earlier lines.
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