Meet Me Outside

Rising Above the Concrete: Grayson's Radio Unveils a Tale of Tough Choices
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Lyrics

Them boys been throwing hands

Conflict and physical altercations have been happening among some individuals.

They been picking fights

They have been actively seeking confrontations or arguments.

No one ever wins till the cops roll in

These conflicts usually don't have a clear winner until law enforcement intervenes.

Just to roll the dice

The situation is like a gamble or risk, uncertain in its outcome.

And you got in between

You got involved in the middle of these disputes.

You think that you're mean

You perceive yourself as tough or intimidating.

Well you're not so

The reality is different; you are not as tough as you think.

Now it's up to me

Now, the responsibility to handle the situation falls on the singer.

I pull up on the scene

The singer arrives at the location of the conflict.

I let go

The singer takes action, possibly confrontational or assertive.

At the drive thru

Reference to a drive-thru, possibly a symbolic location associated with conflict.

Boy you better roll through

A warning for someone to leave quickly or face consequences.

'Cause I'm in tune

The singer is in tune with the situation, aware and prepared.

Oh no

An expression of concern or realization about the seriousness of the situation.

Meet me outside

An invitation or challenge to confront the singer outside.

I wouldn't fight with you inside

Suggesting that fighting inside is not acceptable.

You know it ain't right

Highlighting the wrongness or injustice of the ongoing conflicts.

Boys be dying on the concrete every night

A somber acknowledgment of the frequency of violence and deaths.

You're not so tough

Reiterating that the person isn't as tough as they believe.

No you're not so tough

Repeating the assertion that toughness is lacking.

No you're not so

A rhetorical question suggesting the person should release their aggression.

Why don't you let it go?

Suggesting the person should move on or stop holding onto the conflict.

Now you walk back in again

The person returns to the scene.

You got your black eye busted in

They have visible signs of physical injury, like a black eye.

Because they beat you down

The person was physically beaten and defeated.

And they beat you all around

The violence was widespread, happening from all directions.

I don't wanna see you like that

The singer expresses discomfort witnessing the person in such a state.

I don't wanna see you ever again

A strong desire not to encounter the person again, possibly due to their involvement in violence.

I don't wanna see you

An aversion to seeing the person in any circumstance.

Oh no

Reiteration of concern or surprise about the situation.

Meet me outside

A repetition of the invitation or challenge to confront the singer outside.

I wouldn't fight with you inside

Reiterating that fighting inside is not acceptable.

You know it ain't right

Repeating the notion that the ongoing conflicts are unjust.

Boys be dying on the concrete every night

Restating the somber acknowledgment of the frequency of violence and deaths.

You're not so tough

Reiterating that the person isn't as tough as they believe.

No you're not so tough

Repeating the assertion that toughness is lacking.

No you're not so

A rhetorical question suggesting the person should release their aggression.

Why don't you let it go?

Suggesting the person should move on or stop holding onto the conflict.

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