Lyrics
Do it, do it, do it, do it, do it, do it, do it now
Encouragement to take action immediately
Say it, say it, say it, say it, say it, say it, say it now
Encouragement to express something immediately
Do it, do it, do it, do it, do it, do it, do it now
Repeated encouragement for immediate action
Say it, say it, say it, say it, say it, say it, say it now
Repeated encouragement for immediate expression
Do it, do it, do it, do it, do it, do it, do it now
Continued insistence on prompt action
Instead of carving up the wall
Suggesting an alternative to destructive behavior
Why don't you open up me tall
Encouraging openness or vulnerability
I am ready, I am ready for a fall
Expressing readiness for a potential failure or risk
Instead of carving up the wall
Reiterating the suggestion of an alternative to destructive behavior
Why don't you open up me tall
Reiterating the encouragement for openness or vulnerability
We are ready, we are ready for the floor
Expressing readiness for engagement or participation
I can't hear your voice, do I have a choice?
Questioning whether there's a choice in a situation where communication seems difficult, possibly hinting at exerting force to communicate
I'm hoping with chance, you might take this dance
-I can't hear your voice, do I have a choice?
-(You're sinking below, I'm using my force)
-I'm hoping with chance, you might take this dance
Expressing hope for a specific outcome, referencing a significant person
You're my number one guy
-Instead of carving up the wall
Reiteration of an alternative to destructive behavior
Why don't you open up me tall
Reiteration of the encouragement for openness or vulnerability
I am ready, I am ready for a fall
Repeating readiness for a potential failure or risk
Instead of carving up the wall
Reiteration of an alternative to destructive behavior
Why don't you open up me tall
Reiteration of the encouragement for openness or vulnerability
We are ready, we are ready for the floor
Expressing collective readiness for engagement or participation
I can't hear your voice, do I have a choice?
Continued questioning of a choice in communication, expressing hope for a specific outcome related to a significant person
(You're sinking below, I'm using my force)
-I'm hoping with chance, you might take this dance
-You're my number one guy
-Number one guy
Reinforcement of a person's significance
Number, number, number, number, number,
-One, one, one, one, one guy
-(Number one guy) Stand carving up the wall
Linking a person's significance to the suggested alternative behavior
(One, one guy) Why don't you open up at all?
Reiteration of encouraging openness or vulnerability
(Number, number, number one)I am ready, I am ready for a fall
Reiterating readiness for a potential failure or risk, emphasizing the person's significance
(Number one, number one) Stand carving up the wall
Reiteration of the suggested alternative to destructive behavior
(Number one, one, one) Why don't you open up at all?
Reiteration of the encouragement for openness or vulnerability
(Guy, guy) We are ready, we are ready for the floor
Repeating collective readiness for engagement or participation, acknowledging significance
(Number one guy) Stand carving up the wall
Reiteration of the suggested alternative to destructive behavior
(Number, number, one, one) Why don't you open up at all?
Reiteration of the encouragement for openness or vulnerability
(Guy) I am ready, I am ready for a fall
Repeating readiness for a potential failure or risk
(You're my number one guy, number one) Stand carving up the wall
Reiteration of the suggested alternative to destructive behavior, emphasizing significance
(Number, number, one, one) Why don't you open up at all?
Reiteration of the encouragement for openness or vulnerability
(Number, number, one, one) We are ready for the floor
Collective readiness for engagement or participation, acknowledging significance
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