Faux
Faux Revelations: Love's Matinee Unveiled
Lyrics
("It can be so hard to love you")
Expresses the difficulty of loving someone.
Yeah, yea yea. Whoa
An emphatic expression, possibly conveying strong emotions.
You can fly fly hard, so hard. Ya ya, get it right, so right. Ya ya
Suggests the challenges in achieving something (love) and the need to get it right.
Don't lie, I'm done. You're black & white like the sun
Describes the person as clear-cut, straightforward, like the sun.
Fiona in the day, by the night you done changed
Refers to a change in someone named Fiona from day to night.
Shoulda coulda woulda walked if I knew right
Expresses a regretful realization about not walking away if the right decision was known.
Now my girl so high in her own mind, unrecognized
Describes the partner as self-absorbed and unrecognizable.
I don't know what to say, in my feels so betrayed
Conveys feelings of betrayal and confusion in expressing oneself.
Our whole life just thrown away, same smile but just a new face
Reflects on a life together being discarded, with the same smile but a new face.
Get it right get it right right, this the last time
Indicates a final attempt to get things right.
Feelin like Mike in the night no more halftime, I'm done with these lies
References feeling like Michael Jordan in the night, signaling an end to deception and lies.
Give it up give it up to the girls who make up, their shit don't work no more, on me
Acknowledges the futility of trying to please others who use makeup to mask themselves.
I tried to find out the reason you change like the seasons but no tears no more, from me
Expresses a failed attempt to understand the reasons for change, with a resolution not to cry.
Feelin, feelin feelin so high now. We really don't need to lie now
Describes a feeling of being elevated and the unnecessary need for lies.
Faux, four, five, six times now
Repeated mention of "Faux" suggests artificiality or deception.
Faux, faux. Na na na
Repetition of "Faux" with a playful musical element.
Feelin, feelin feelin so high now. We really don't need to lie now
Reiteration of elevated feelings and the rejection of lies.
Faux, four, five, six times now
Continued repetition of "Faux."
Faux, faux. Whoa
Final mention of "Faux" with an emphatic "Whoa."
Our love like a matinee, complication the screenplay
Compares love to a matinee, implying a temporary and dramatic nature.
Fooled me once that's a shame, but not today, not today, now
Reflects on being fooled before but asserts resilience.
Gotta get a lifeline get a life line, when's the right time to pull back from your damn grip on my life
Questions the right time to break free from someone's control over life.
Won't hurt me no more
Declares a resilience to future hurt.
Give it up give it up to the girls who make up, their shit don't work no more, on me
Repetition of the futility of makeup, emphasizing its ineffectiveness.
I tried to find out the reason you change like the seasons but no tears no more, from me
Repeats the failed attempt to understand change and the decision not to cry.
Give it up give it up to the girls who makeup their shit don't work no more, on me
Repetition of the futility of makeup, emphasizing its ineffectiveness.
I tried to find out the reason you change like the seasons but no tears no more, from me
Repeats the failed attempt to understand change and the decision not to cry.
Faux, four, five, six times now
Repeated mention of "Faux."
Faux, faux. Na na na
Repetition of "Faux" with a musical element.
Feelin, feelin feelin so high now. We really don't need to lie now
Reiteration of elevated feelings and the rejection of lies.
Faux, four, five, six times now
Continued repetition of "Faux."
It is so hard, to love you. To love you. To love you
A restatement of the initial difficulty in loving someone.
It is so hard
Reiterates the challenge of loving someone.
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