Lyrics
Something about you, sookie sookie now oo
Expressing attraction and interest in someone with a playful tone.
Can’t pin you down, you’re super silky so smooth
Describing the difficulty of categorizing or understanding the person, emphasizing their smooth and elusive nature.
Thinking of all the ways I wanna have you
Contemplating various ways of being intimate with the person.
Now that we’re dancing, we’re dancing
Celebrating the joy of dancing together with the person.
Didn’t wanna go out
Expressing reluctance or hesitation about going out.
My hairline don’t look that good
Playfully acknowledging a self-perceived flaw (hairline) as a reason not to go out.
Guess I gotta pull the gold out
Acknowledging the need to enhance appearance by wearing gold accessories.
Chain on with cologne I should
Describing the preparation for going out, including wearing a chain and cologne.
Wear a hoodie ‘cuz it’s cold out
Explaining the choice of wearing a hoodie for warmth but facing resistance in a club setting.
But this club don’t want no hoods
Highlighting the club's dress code restrictions on hoodies.
Now I’m cold and I’m going out
Despite the initial reluctance, deciding to go out.
Ain’t long till I’m feeling so good
Anticipating a positive change in mood once out.
‘Cause when I get spaced I’m a rocket
Describing a feeling of elation or euphoria when in an altered state.
I’m flying I spot ya
Expressing an enhanced perception, possibly of the person of interest.
And now you got me feeling so good
Acknowledging the positive impact of the person on the speaker's mood.
So please have this dance with me
Inviting the person to dance, suggesting a desire for a closer connection.
I forget why I go out
Reflecting on the reason for going out, possibly implying forgetfulness or spontaneity.
Then I go like I meant it
Asserting commitment to the decision to go out and enjoy the moment.
I see you move and you’re showing out
Admiring the person's movements and expressing a desire for attention.
We’re ignoring your friends and
Choosing to focus on the connection with the person, disregarding others.
I think I’m finna head out
Contemplating leaving the current setting, possibly with the person of interest.
Maybe you could come with me
Suggesting the possibility of the person joining the speaker in leaving.
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