Yo Lovin'

Unyielding Hearts: The Resilience Echo in 'Yeah, Yeah, Yeah'
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Lyrics

They all just want yo’ neck

People are interested in causing harm to you.

But I just want yo’ lovin’, baby is it a sin

The singer desires your love and wonders if it's wrong to love them and forget someone else.

To love me and forget him

Questioning the morality of choosing the singer over someone else.


I can slide through yo’ place, not askin’ for much - a taste

The singer is willing to visit without expecting much, just a small sample of affection.

My hands wrapped around your waist

The singer describes a physical closeness, with hands around the listener's waist.

No, we don’t got time to waste

Emphasizing the importance of not wasting time.


If imma shoot my shot, I’m just like Shaq, clean with the free throw

The singer compares their approach to making a move to basketball player Shaq's free throws.

Sike, imma catch the re-, slam it in just like I’m D-Rose

Playfully switching the analogy to a basketball slam dunk like D-Rose.

Baby is a freak ho’, the type to slurp it clean ho’

Describing the partner as someone adventurous and open-minded.


But I just want your love, cause bae that throat is super lethal

Expressing a preference for the partner's love over other physical activities.

Let’s go make a movie, I’m talkin’ Regal

Suggesting the idea of creating memorable experiences together, like making a movie.

Let’s go fuck around, and do some illegal

Proposing the idea of engaging in activities that may be considered taboo or adventurous.


Lemme know, I’m to do whatever

Expressing readiness to accommodate the partner's desires.

I swear when I see you, my day get better

The singer's mood improves significantly upon seeing the partner.


They all just want yo’ neck

Reiteration of others wanting to harm the listener.

But I just want yo’ lovin’, baby is it a sin

Reiterating the desire for the listener's love despite external threats.

To love me and forget him

Repeating the questioning of the morality of choosing the singer over someone else.


I can slide through yo’ place, not askin’ for much - a taste

Reiterating the singer's willingness to visit without expecting much, just a small taste of affection.

My hands wrapped around your waist

Reiteration of physical closeness, with hands around the listener's waist.

No we don’t got time to waste

Emphasizing again the importance of not wasting time.


No time to waste, no time for love

Declaring a lack of time for wasting and love.

She busy with work, she put no one above

Describing the partner as busy with work and prioritizing herself and her family.

Herself, and her fam - I can respect that

Expressing respect for the partner's priorities but requesting time for the singer.

Make time for me shawty, I’ll break in that

Suggesting that the singer can make a positive impact on the partner's life.


Back, back, back it up on me

Asking the partner to move provocatively on the singer.

Of course I ask respectfully

Ensuring a respectful approach when making such requests.

If you really feelin’ me

Asking the partner to demonstrate genuine interest.

Show me what’s up and I’ll take you to the Philippines

Suggesting a desire to travel together to the Philippines.


They all just want yo’ neck

Reiteration of others wanting to harm the listener.

But I just want yo’ lovin’, baby is it a sin

Reiterating the desire for the listener's love despite external threats.

To love me and forget him

Repeating the questioning of the morality of choosing the singer over someone else.


I can slide through yo’ place, not askin’ for much - a taste

Reiterating the singer's willingness to visit without expecting much, just a small taste of affection.

My hands wrapped around your waist

Reiteration of physical closeness, with hands around the listener's waist.

No we don’t got time to waste

Emphasizing again the importance of not wasting time.

The lyrics of this song contain explicit content.
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