Lyrics
Did your wants of sin,
Questioning if desires for sinful things have diminished.
Crumble at your feet?
Asking if those sinful desires have collapsed or failed.
Does the blood on your face,
Reflecting on the possibility of the blood on the person's face and hands being too appealing or tempting.
And your hands taste too sweet?
Suggesting that the taste of blood is too sweet, possibly implying a dangerous or alluring nature.
And in my mind,
Expressing a mental image where the person addressed looked attractive.
You were looking fine.
Continuation of the mental image of the person being attractive.
Well isolation.
Introducing the theme of isolation, possibly emotional or psychological seclusion.
Well and inside, you ain't fine to me
Stating that inside, the person being addressed does not appear well or attractive to the speaker.
Well isolation, desolation.
Reiterating the themes of isolation and introducing desolation, emphasizing a sense of emptiness or abandonment.
Don't wait for me,
Advising not to wait for the speaker.
Well at the edge of the world.
Referencing a distant or challenging place, possibly metaphorical as the edge of the world.
Yeah, don't come to me at all.
Discouraging the person from coming to the speaker at all.
The way you look and think of me,
Commenting on how the person perceives and thinks about the speaker.
Well it's much,
Describing the intensity of the person's perception, suggesting it is overwhelmingly strong.
Much,
-Much,
-Much too strong.
-And in my mind
Revisiting the mental image of the person being attractive.
You were looking fine
Continuation of the image where the person looks fine in the speaker's mind.
Well isolation.
Reiteration of the theme of isolation.
Well and inside, you ain't fine to me.
Emphasizing that internally, the person is not attractive to the speaker.
Well isolation, desolation.
Repeating the themes of isolation and introducing desolation.
Don't wait for me,
Repeating the advice not to wait for the speaker.
Well at the edge of the world.
Reiterating the idea of a challenging or distant place, possibly symbolizing difficulty in reaching the speaker.
Yeah, don't come to me at all yeah.
Restating the discouragement for the person to come to the speaker.
The way you look and think of me,
Repeating the theme of how the person looks at and thinks about the speaker.
Well it's much,
Reemphasizing the overwhelming strength of the person's perception.
Much,
-Much,
-Much too strong.
-And in my mind,
Recalling the mental image of the person being attractive in the speaker's mind.
You were looking fine.
Continuation of the image where the person looks fine in the speaker's mind.
Well isolation.
Reiteration of the theme of isolation.
Well and inside, you ain't fine to me,
Stating that internally, the person is not attractive to the speaker.
Well isolation, desolation.
Repeating the themes of isolation and introducing desolation.
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