LAW

Two

Love and War: Unveiling the Intricate Game of Relationships in LAW's 'Two'
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Lyrics

Why you acting like you doing me a favor

Expressing frustration with someone who acts as if they are doing a favor when it's not requested.

I ain't ask for you don't no savior

Rejecting the idea of needing a savior or assistance from the person being addressed.

News to you ain't the only player

Informing that the person addressed is not the only one involved in a romantic relationship.

You can't save her

Asserting that the person cannot save the romantic partner.

Everyone they asking you like how you date her

Highlighting the attention and inquiries from others regarding the romantic relationship.

People switching up because I'm paid up

Stating that people change their behavior due to the speaker's financial success.

We call that a Opp yeah you a Trader

Referring to the person as a traitor (Trader) due to their changing allegiance or behavior.

All is fair in love and war

Quoting the adage "All is fair in love and war," implying that anything goes in the context of relationships and conflicts.


Two

Introducing the theme of the game being played.

Can play that game

Emphasizing the competitive nature of the relationship game, expressing confidence in winning and not losing.

But only one of us can win an let me tell you boy I don't lose at anything, anything

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Two

Repeating the theme of the game, underscoring the speaker's determination not to lose in anything.

Can play that game

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But only one of us can win an let me tell you boy I don't lose at anything, anything

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Umm yeah

Expressing confusion or disbelief about being blamed for someone else's complacency.

How is it my fault you got complacent

Addressing the partner's anger and lack of apologies, finding it amazing.

Now your mad at me for losing patience

Asserting that the partner's anger is unjustified, given the speaker's lost patience.

No apologies boy you can save it it's amazing

Dismissing the possibility of receiving apologies and highlighting the partner's shortcomings.

How you wouldn't be mad at you if you did the things I do wouldn't want it done to you

Questioning the partner's perspective and suggesting empathy by imagining the situation reversed.

You, you couldn't see the truth

Indicating that the partner couldn't perceive the truth, leading the speaker to emulate the partner's behavior.

You couldn't see us thru so I pulled a you on you

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How you talk to me like I'm so basic

Expressing dissatisfaction with being spoken to in a condescending manner.

I only talk to you for entertainment

Stating that the communication with the partner is solely for entertainment purposes.

Every time we fucked boy I was faking

Revealing that the speaker was pretending during intimate moments, emphasizing honesty about fake emotions.

Just being honest

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Two

Reiterating the competitive nature of the relationship game and the speaker's determination not to lose.

Can play that game

-

But only one of us can win an let me tell you boy I don't lose at anything, anything

-

Two

Repeating the theme of the game, emphasizing the speaker's confidence in winning at anything.

Can play that game

-

But only one of us can win an let me tell you boy I don't lose at anything, anything

-

All is fair in love in war

Reaffirming the idea that anything is permissible in love and war.

Only one of us can win

Emphasizing the exclusivity of winning in the context of the relationship.

Don't you know two can play that game

Encouraging the partner to recognize that they are also subject to the rules of the game.

Don't you know two can play that game

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Don't you know two can play that game

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