Daily Reminder

The repetition of "DAY IN. DAY OUT. (OUT)" suggests a routine or ongoing struggle.

DAY IN. DAY OUT. (OUT)

DAY IN. DAY OUT. (OUT)

DAY IN. DAY OUT. (OUT)

Dinco D introduces himself as the speaker of the verse.

The speaker's brother is incarcerated in Connecticut, setting a somber tone.

Reference to improving the situation symbolized by the Confederate "D" (possibly a logo or symbol).

The speaker admits ignorance to certain details ("illiterate to the little bits").

Mentions law enforcement ("fat pigs billys") and a distorted reference to Philadelphia ("philly").

Complex wordplay, possibly reflecting societal issues and challenges.

Me think dip dy dip to the socialize

Of americal not America mer

Medler rich peddler "hold up?

Which ways up whatever high

Heather by bush push push push in

The bush mop drop the pains.

Reference to a document and its approximate nature.

Implies a dangerous situation ("cut throat headless").

Suggests a precarious existence ("bedless tall").

References to police brutality and the speaker's connection with another individual.

Strap step step yep it's a hit hit.

Run run, ha hon it's another father's

Saw son from behind caught up in time. But my mind and his mind make all

Mind equal, but it's a daily reminder.

Busta Rhymes takes over with imagery of escaping danger and a call to follow him.

Further description of escaping and confronting external forces.

Everybody run and come follow me.

Sit back as I reach, and I come and attack.

Other forces trying to reveal my other

Encourages the hungry to experience the sound, asserts their position as contenders, and emphasizes a daily reminder.

Fiding on the back of horse.

Trilly, trally, I dilly, dally my way.

Through the alley.

Remember that we will wreck from the east

All the way to Cali.

To those that are hungry, come get a

Taste of this sound,

Hey people you know that we're

Gonna get on down.

This is your daily reminder, so

Remember as we move right to the center,

You know we gonna be your number one

Contender.

Various metaphors expressing resilience and a commitment to hip-hop culture.

Subliminally undercover, yes my dome is

Chrome on the front of my album cover.

As I mention, people follow the ways of imperfection,

Float like suspension, oozing out of a pimple like infection.!

Hip-Hop resurrection, at the drop of a quarter,

Call to follow and live better, referencing the original daily reminder.

Come follow me, come follow me man,

Doing everything that I can so we could live a little better

If we only could remember.

As we find the original 3-ring binder

Rewinder the time back to the original daily reminder.

Charlie Brown introduces his verse, mentioning rhythm and knowledge.

Expresses confidence in rhythm and lyrical ability.

You will know that's it's OK.I'm rippin'

and rhymin' yes never the less everyday

Repetition of group name (L.O.N.S.) and a playful mention of Boogie tie Brown.

Yes, yes, y'all y'all. Yes yes, y'all y'all.

The Boogie tie Brown, the Boogie tie Brown,

References to music production, style, and interacting with the audience.

The capitalistic unrealistic move with tie.

Pitch in style step with tie rep and rec.

Flip to the vibe I bet girls river

Wet quiver yet don't sweat. Of course

To the source just move with the force.

Encourages movement with the force, playful wordplay, and a sense of unity.

People they got feeling p! ros Jos! Froze

1-1 2-2 3-3 4-4 coming stunning. 1 and million plus

We're raw want to make 'em live side to the side is doom and

There'll be no more games like keepers or finders you're

Taking off your binders 'cause it's a daily reminder.

Repetition of "DAY IN. DAY OUT. (OUT)" to emphasize the ongoing nature of the struggle.

DAY IN. DAY OUT. (OUT)

DAY IN. DAY OUT. (OUT)

DAY IN. DAY OUT. (OUT)