Lyrics
6 fifteens, candy coated riding clean
Reference to car audio system with six fifteen-inch subwoofers, riding in a flashy, candy-coated car.
Every time I pull out a new whip I cause a scene
Whenever the artist shows off a new car, it attracts attention and creates a spectacle.
Rolling through my hood, I told 'em pimpin' ain't that easy
Expressing that being a pimp or living a flashy lifestyle is not as easy as it may seem.
So whatever you need, little buddy, come and see me
Inviting others to approach him for anything they need, emphasizing accessibility.
(Come and see me) Come and see me
Repetition of the invitation to come and see the artist for any needs.
(Come and see me) Come and see me
-Whatever you need, little buddy, come and see me
-(Come and see me) Come and see me
-(Come and see me) Come and see me
-Whatever you need, little buddy, come and see me
-I'm talking Monte Carlos, Crown Vics, Cadillacs and Regals
Listing various car models, acknowledging illegal possessions, relying on faith (Jesus riding shotgun), and the determination to succeed.
If I get pulled over, everything I got's illegal
-But I ain't got no worries I got Jesus riding shotgun
-Knowing that I need a meal ticket and I can't stop until I got one
-Shit, I'm whippin' cutty bubble bucket busty, bitches love to ride too
Describing the artist's car, the attention it attracts, and references to a popular song ("Return of the Mack").
Hanging out the window front and central like a late-night Wendy's drive through
-Tweeters, speakers, jeekers fiendin', diamond in the back my nigga
-I got two white girls, think I oughta have a curl in return of the mack, my nigga
-It's the return of the 'Lac
Highlighting the grandeur of the car ('Lac), horse references, flashy appearance, and jealousy-inducing qualities.
Riding on so many horses they think I'm playing polo
-Candy paint drippin' like a Jheri curl, nigga, I'mma let my soul glo
-Fleet, flickin', screaming, bitches, pitchin', counter, past fate
-And all of the women get jealous cause of the way my car can make its ass shake
-Last to base, in the face
Escaping the law, boasting about car features (tinted windows, large rims), and potential violence if provoked.
The law's right beside me, my window tint, dawg
-My rims are too large
-As soon as I hit the back road bet the law can't find me
-Ridin', candy paint with two poles in the trunk
-Popped up twice with two hoes in the trunk
-Disturb our peace with fifteens that thump
-Duck my slab get sawed off with the pump
-6 fifteens, candy coated riding clean
Reiteration of the invitation to come and see the artist for any needs.
Every time I pull out a new whip I cause a scene
-Rolling through my hood, I told 'em pimpin' ain't that easy
-So whatever you need, little buddy, come and see me
-(Come and see me) Come and see me
-(Come and see me) Come and see me
-Whatever you need, little buddy, come and see me
-(Come and see me) Come and see me
-(Come and see me) Come and see me
-Whatever you need, little buddy, come and see me
-I got two floors in my trunk, club lights in my trunk
Describing the artist's car's interior, its impact, and the colossal wheels.
I charge at the door them hoes hit the floor, we have club nights in my trunk
-Cause it's an earthquake when I park, I keep a UFO in my yard
-My wheels so big when I swing my whip I can high five God, lord
-I could skydive off of the top of the roof, rims taller than King Kong
Exaggerating car height, seeking a suitable place for a drink, and a vivid description of a potential encounter.
Riding around looking for an ass that I could sit my drink on
-My seats warm, my drink cold, my paint dry, but her mouth wet
-Suffocate that ho till that bitch look like Smurfette
-007 pressin' more buttons, I got all these gadgets, ho
Reference to James Bond, gadgets, car equipment, and the impact on attracting attention.
I got all these alpine, it could turn a square chick ratchet, ho
-Neon lights shine neon bright that I could direct all this traffic, ho
-Young and wise my 9 to 5 would be a vortex if I crash it, ho
-Like a head on collision with a red bone mouth colder than Michigan
Comparing a collision with a red bone (attractive woman) to a cold situation, boasting about rubbers in the glove box, and a car modification.
Reach in that glove box and I got more rubbers than Michelin
-I'm feeling like Yao Ming in the whip (why?) I need more leg room
-So I hit a switch and the whole back seat turned into a god damn bedroom
-6 fifteens, candy coated riding clean
Repetition of the invitation to come and see the artist for any needs.
Every time I pull out a new whip I cause a scene
-Rolling through my hood, I told 'em pimpin' ain't that easy
-So whatever you need, little buddy, come and see me
-(Come and see me) Come and see me
-(Come and see me) Come and see me
-Whatever you need, little buddy, come and see me
-(Come and see me) Come and see me
-(Come and see me) Come and see me
-Whatever you need, little buddy, come and see me
-Okay now, ho, pour out that drinking watch me fire up that blunt
Warning against disrespect, emphasizing potential violence by popping the trunk.
Anybody getting outta line don't make me pop my fuckin' trunk
-(Don't make you pop our fuckin' trunk)
-Don't make me pop my fuckin' trunk
-Anybody getting outta line don't make me pop my fuckin' trunk
-Okay, now bow down when you see me, don't be trippin' on the thump
Asserting authority and demanding respect, warning against crossing boundaries.
Anybody getting outta line don't make me pop my fuckin' trunk
-(Don't make you pop our fuckin' trunk)
-Don't make me pop my fuckin' trunk
-Anybody getting outta line don't make me pop my fuckin' trunk
-Hold up
Concluding the lyrics, possibly leaving room for further developments or reflections.
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