Lyrics
Roll it up, roll it up, till we too high
Expressing the act of rolling up something (possibly referring to rolling a joint) until reaching a state of being too high.
In the cut, in the cut, love worldwide (love worldwide)
Describing being in a secluded or private place with a feeling of love extending globally.
Till we too high yeah (too high)
Continuing the theme of reaching a high state, emphasizing the experience.
Yeah, yeah, yeah
Repetition for emphasis and rhythmic effect.
Couple bands, couple racks, on my shit, yeah blowing gas out the whip, I'm legit, yeah (yeah, yeah)
Boasting about financial success, mentioning blowing gas (smoking marijuana) and asserting legitimacy.
I'm legit, yeah, ayy, yeah, yeah, yeah
Repetition for emphasis, confirming legitimacy and expressing affirmation.
Two woods in and I can't feel my face now
Introducing the idea of being under the influence of substances (two woods) and the numbness it causes.
On my skin, you've been here for a day now
Acknowledging the presence of someone on the speaker's skin after being in this state for a day.
Tell me you'll be there when I fall
Seeking assurance and support, asking for commitment when facing difficulties.
The drugs don't help me anymore, I'm lost, yeah
Admitting that drugs are no longer providing the desired relief, expressing a sense of being lost.
Heart frozen, wrist frozen
Metaphorically describing emotional numbness and physical stillness.
Lying on the ground while I'm smoking on this fucking potent
Depicting a scene of lying on the ground while consuming potent substances.
Tell me you'll be there when I fall
Reiterating the need for support and commitment when facing challenges.
The drugs don't help me anymore, I'm lost, yeah
Reaffirming the ineffectiveness of drugs in providing solace, expressing a sense of being lost.
Two woods in and I can't feel my face now
Repeating the earlier scenario of being under the influence and the resulting numbness.
On my skin, you've been here for a day now
Recalling the presence of someone on the speaker's skin after being in this state for a day.
Tell me you'll be there when I fall
Repeating the plea for assurance and support when facing challenges.
The drugs don't help me anymore, I'm lost, yeah
Reiterating the idea that drugs are no longer effective, expressing a sense of being lost.
Roll it up, roll it up, till we too high
Repeating the theme of reaching a high state through rolling and smoking.
In the cut, in the cut, love worldwide (love worldwide)
Reemphasizing being in a private and loving space, extending the feeling globally.
Till we too high yeah (too high)
Reiterating the experience of reaching a high state, emphasizing it.
Yeah, yeah, yeah
Repetition for emphasis and rhythmic effect.
Couple bands, couple racks, on my shit, yeah blowing gas out the whip, I'm legit, yeah (yeah, yeah)
Boasting about financial success, mentioning blowing gas (smoking marijuana), and asserting legitimacy (similar to lines 5-6).
I'm legit, yeah, ayy, yeah, yeah, yeah
Repetition for emphasis, confirming legitimacy and expressing affirmation (similar to line 6).
Two woods in and I can't feel my face now
Repeating the theme of being under the influence and the resulting numbness.
On my skin, you've been here for a day now
Reiterating the presence of someone on the speaker's skin after being in this state for a day.
Tell me you'll be there when I fall
Repeating the plea for assurance and support when facing challenges.
The drugs don't help me anymore, I'm lost, yeah
Reiterating the ineffectiveness of drugs in providing solace, expressing a sense of being lost (similar to lines 11 and 15).
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