High Low and in Between
Love's Rollercoaster: Mark Wills' Highs, Lows, and Everything In Between
Lyrics
My baby gets me shakin' - she's got a way of makin' me
Expressing the impact of the speaker's partner on him, causing excitement and emotional reactions.
Feel like I'm still seventeen
Feeling youthful and energetic, as if the speaker is still seventeen, emphasizing the positive influence of the partner.
She gets me high-she gets me low-and in between
Describing the partner's ability to affect the speaker's emotions in various ways, both high and low, and everything in between.
Blue eyes she's got 'em - legs on the bottom
Highlighting physical features of the partner, specifically blue eyes and attractive legs.
She tippy-toed right out of a dream
Using dream-like imagery to emphasize the partner's beauty and appeal.
She's got it high - she's got it low - and in bewteen
Reiterating the partner's impact on the speaker's emotions, encompassing highs, lows, and everything in between.
Now I'm higher than a flag on the 4th of July
Expressing an elevated emotional state, likening it to the high of Independence Day.
Low down in love and she's the reason why
Acknowledging feeling low in love, attributing it to the partner as the cause.
She gets a hold of me and takes complete control of me
Describing how the partner takes control of the speaker, implying a powerful influence.
If you know what I mean
Indicating a deeper, possibly sensual, connection with the partner.
My baby's got me - high-low - and in between
Summarizing the partner's impact on the speaker's emotions—high, low, and everything in between.
Now baby's got the kind of kiss - you could start a fire with she don't need no gasoline
Highlighting the intensity of the partner's kiss and its ability to ignite passion without external help.
I'm burnin' high - I'm burnin' low - and in between
Describing the speaker's emotional state as burning high, low, and in between, emphasizing a range of feelings.
I'll find 'er on the second floor
Providing a setting where the partner is found, suggesting a playful pursuit.
And chase 'er through the cellar door
Continuing the imagery of chasing the partner, creating a sense of adventure and desire.
And catch 'er by the washin' machine
Adding details to the pursuit, implying a lighthearted and whimsical scenario.
She takes me high - she takes me low - and in between
Reiterating the partner's ability to evoke different emotions in the speaker.
Now I'm higher than a flag on the 4th of July
Repeating the comparison of the speaker's emotional state to the high of Independence Day.
Low down in love and she's the reason why
Acknowledging feeling low in love, attributing it to the partner as the reason.
She gets a hold of me and takes complete control of me
Emphasizing the partner's control over the speaker's emotions.
If you know what I mean
Clarifying the depth of connection between the speaker and the partner.
My baby's got me - high-low - and in between
Reiterating the partner's impact on the speaker's emotions—high, low, and everything in between.
Now I'm higher than a flag on the 4th of July
Repeating the comparison of the speaker's emotional state to the high of Independence Day.
Low down in love and she's the reason why
Acknowledging feeling low in love, attributing it to the partner as the reason.
She gets a hold of me and takes complete control of me
Emphasizing the partner's control over the speaker's emotions.
If you know what I mean
Clarifying the depth of connection between the speaker and the partner.
My baby's got me - high-low - and in between
Reiterating the partner's impact on the speaker's emotions—high, low, and everything in between.
My baby's got me - high-low - and in between
Repeating the summary of the partner's impact on the speaker's emotions.
Well, she's got it high - she's got me low - and in between
Concluding by reiterating the partner's ability to evoke a range of emotions in the speaker.
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