Come Over
Inviting Echoes: Embracing Love's Tempo with Mimicking Mars
Lyrics
Aye, aye, aye
A repetition of a vocal expression, suggesting excitement or urgency.
You got my head hurtin', throbbin'
Expressing emotional distress or intensity, possibly due to the influence of the person being addressed.
You know, you know, you know
Emphasizing awareness or recognition of a shared understanding between the speaker and the addressed person.
We're something there just ain't no stoppin'
Indicating a strong connection or bond that cannot be halted.
We are, we are, we are
Reinforcing the unity or similarity between the speaker and the addressed person.
Like birds of a feather
Comparing the speaker and the addressed person to birds of a feather, implying a close and harmonious relationship.
My heart, my heart
Highlighting the physical reaction of the speaker's heart when they are with the addressed person.
Pounds when we're together
Describing the strong heartbeat as a result of being together.
I can't slow down now
Expressing a sense of urgency or inability to pause or slow down in the current situation.
Why don't you just come right over
Inviting the addressed person to come over.
Just sit and rest your head right on my shoulder
Suggesting physical closeness and emotional support by asking the addressed person to rest on the speaker's shoulder.
Kiss me, forget about the world spinnin' faster
Encouraging the addressed person to kiss the speaker and escape from the fast-paced world.
Than we could ever know
Acknowledging the rapid pace of the world compared to the intimacy shared by the speaker and the addressed person.
It'll stop if you just come right over
Promising that time will stand still if the addressed person comes over.
Just come right over
Reiterating the invitation for the addressed person to come over.
I'd drive, I'd drive, I'd drive
Emphasizing the speaker's willingness to overcome challenges or difficulties for the addressed person.
Through the stormiest of weather
Indicating a commitment to endure tough times as long as they are shared with the addressed person.
I don't, I don't, I don't care
Expressing a lack of concern for external factors as long as the speaker and the addressed person are together.
As long as we're together
Affirming that being together is more important than external circumstances.
Come on, come on, come on
Encouraging the addressed person to stop searching for something better as the speaker believes they are the right match.
There's no need to keep on searchin'
Asserting knowledge or certainty about the shared desire to end emotional pain.
I know, I know
Reiterating mutual dissatisfaction with ongoing emotional distress.
We're both sick of all this hurtin'
Expressing a sense of urgency or inability to pause or slow down in the current situation.
I can't slow down now
Inviting the addressed person to come over, repeating the urgency from line 9.
Why don't you just come right over
Reiterating the invitation for the addressed person to come over.
Just sit and rest your head right on my shoulder
Suggesting physical closeness and emotional support by asking the addressed person to rest on the speaker's shoulder, repeating lines 11-12.
Kiss me, forget about the world spinnin' faster
Encouraging the addressed person to kiss the speaker and escape from the fast-paced world, repeating lines 12-13.
Than we could ever know
Acknowledging the rapid pace of the world compared to the intimacy shared by the speaker and the addressed person, repeating lines 13-14.
It'll stop if you just come right over
Promising that time will stand still if the addressed person comes over, repeating lines 14-15.
Just come right over, yeah
Reiterating the invitation for the addressed person to come over, repeating lines 15 and 25.
Oh, oh, oh
Expressing anticipation or excitement with vocalizations.
Come on, come on right over, yeah
Encouraging the addressed person to come over, repeating lines 10 and 30.
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