Ain't No Tellin'

Love's Warning in the Cold Countryside
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Lyrics

Don't you let my good girl catch you here

Warning against being caught by the speaker's good girl at the current location.

Don't you let my good girl catch you here

Repetition of the warning, emphasizing the importance of avoiding detection.

She might shoot you, may cut ya and starve you too

Describing potential consequences if caught, including violence and deprivation.

Ain't no tellin', what, she might do

Expressing uncertainty about the actions the good girl might take when angered.


I'm up the country where the col' sleet and snow

Location shift to a cold region, possibly indicating a physical or emotional distance.

I'm up the country where the col' sleet and snow

Reiteration of the cold and distant setting, with an unknown journey ahead.

Ain't no telling how much further I may go

Highlighting the unpredictability of the speaker's future path or experiences.


Eatin' my breakfast here, my dinner in Tennessee

Repetition of the speaker eating meals in different locations, possibly reflecting a transient lifestyle.

Eatin' my breakfast here, my dinner in Tennessee

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Eatin' my breakfast here, my dinner in Tennessee

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I tol' you I was comin', baby, won't you look for me

Expressing the speaker's intention to arrive, urging the listener to anticipate their return.

Hey, hey, such lookin' the class

An unclear statement, possibly referring to a situation or class of people.


The way I'm sleepin' my back and shoulders tired

Describing the physical toll of the speaker's current way of sleeping.

Way I'm sleepin' babe, my back and shoulders tired

Repetition of the physical strain caused by the speaker's sleeping conditions.

The way I'm sleepin' my back and shoulders tired

Continuation of the theme of physical discomfort during sleep.

Gonna turn over, try it on the side

Expressing the intention to change sleeping positions to alleviate discomfort.


Don't you let, my good girl catch you here

Reiteration of the warning to avoid being caught by the speaker's good girl.

She, might shoot you, may cut you and starve you too

Restating potential consequences if caught, including violence and deprivation.

Ain't no tellin', what, she might do

Reiteration of uncertainty about the actions the good girl might take when angered.

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