Call You Back

Unveiling Hidden Emotions: Mourn's 'Call You Back' Revelations
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Lyrics

I’d rather die

Expressing a strong preference for facing death over a particular situation or revelation.

I’d rather die

Reiteration of the intense sentiment expressed in the first line.

I’d rather die

Continuation of the strong preference for death, emphasizing the emotional weight of the situation.

A thousand times

Amplification of the previous lines, suggesting a repeated willingness to face death rather than a specific outcome.

Before letting you know

Indicating a reluctance to reveal or communicate genuine feelings to someone.

how I feel

Suggesting a challenge or difficulty in expressing emotions.

about you

Specifying that the emotions pertain to the person being addressed.


It’s so hard

Expressing the difficulty in returning a call, possibly due to emotional or psychological reasons.

to call you back

Highlighting the challenge of responding to communication from the addressed person.

but easy for me

Contrasting the difficulty of returning a call with the ease of experiencing panic or anxiety.

to start panicking

Indicating that the act of panicking is more natural or manageable compared to responding to the call.


I know that you need help

Acknowledging the awareness that the addressed person needs assistance or support.

and I’m hoping for the best

Expressing a hopeful outlook while acknowledging the challenging situation of the addressed person.

I admire you and it’s hard

Admiring the addressed person despite the difficulty in realizing or understanding their situation.

to realize that

Expressing the emotional challenge of recognizing or accepting the potential flaws or mistakes of the addressed person.

you might be wrong

Highlighting the emotional difficulty of accepting the possibility that the addressed person might be wrong.

Lalala lala

Repetitive nonsensical syllables, possibly indicating a shift in the lyrical content or a break in the narrative.

Lalala lala

Repetition of nonsensical syllables, maintaining the previous pattern and possibly contributing to the overall mood of the song.

Lalala lala

Continuation of nonsensical syllables, possibly serving as a musical or stylistic element in the composition.

Lalala lala

Conclusion with continued nonsensical syllables, possibly contributing to the artistic and musical expression of the song.

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