Infatueighties

Reflecting on the amusing nature of how the speaker and the subject of the song first encountered each other.

Describing the location where the initial meeting occurred, suggesting a workplace connection.

Complimenting the physical appearance of the woman, emphasizing her attractiveness.

Recalling the exchange of greetings between the speaker and the woman.

Noting the ironic role of fate in bringing them together.

Recounting another encounter with the woman at a club on Market Street.

Expressing a friendly greeting to the woman.

Describing the woman's response of smiling and continuing without engaging in conversation.

Observing that the woman seemed not to notice the speaker during the encounter.

Perceiving a lack of interest or willingness to communicate from the woman's side.

Reflecting on how the relationship has evolved to the point where the speaker is now closely observing the woman's actions and words.

Expressing the speaker's increasing attention to the woman's behavior and communication.

Comparing their lives to a syndicated show, possibly suggesting repetition or predictability.

Emphasizing the speaker's focus on music and the potential for both to succeed together.

Highlighting the transformation from being ignored to discussing desires for more in the relationship.

Expressing the shift from initial indifference to considering a deeper connection.

Introducing a declaration or expression related to the evolving relationship.

Expressing desire and questioning the woman's feelings, seeking confirmation of mutual interest.

Baby baby baby

Do you really want me girl (do you want me)

Do you really want me

Like I really want you

Describing the progression of their relationship from a spark to a strong connection, with the speaker expressing admiration for the woman.

We went from a spark to a raging fire

Down like a car with 4 flat tires

She my superstar, I'd be the shine behind her (ya mean)

Depicting the impact of the woman on the speaker, using metaphors like being wide open and referencing Missy and Timbaland's collaboration.

Shook like a tree when the wind is blowin'

She my Missy, im her Timbaland

She rock my planet like

Zuh zuh zuh zuh zuh zuh zuh zuh

Indicating encouragement from friends to pursue the relationship, emphasizing fair play and mutual engagement.

But my plans have been to get it in

Cause I do that, never been a rude cat

I play fair so we go tic for tack till the blackness bares

Describing the initial reaction to the relationship as weird but ultimately enjoyable.

So good that we did it twice

Reiterating the positive experiences of the early stages of the relationship.

She as scared but it still was nice

So good we did it twice

Empty line, no specific content.

Repeating the chorus, expressing the speaker's desire for the woman and questioning her reciprocal feelings.

Baby baby baby

Do you really want me girl (do you want me)

Do you really want me

Empty line, no specific content.

Concluding the song with a declaration of the woman being all that the speaker wants and needs.

All that I want and need is you