Lyrics
She's got two lovers One in hawaii It doesn't matterHow hard I try
Expresses the presence of two lovers, one in Hawaii, and the speaker's frustration despite efforts.
But I guess I can follow It can't wait till tomorrow
The speaker contemplates following the person, emphasizing the urgency that can't be delayed.
She's Moving to the mountains Singing to plain whitesAaa Herbs in her pocket And she's lonely at night yeah
Describes the person's relocation to the mountains, singing and carrying herbs, with loneliness hinted at night.
I know that your chasing the heatAnd wanna walk this islandbare feet
Acknowledges the person's pursuit of warmth and a desire to experience the island's barefoot lifestyle.
So Let me tell you That it is alright There's no way Ill let you Out of my sight
The speaker reassures the person that everything is okay and expresses a commitment to keeping them in sight.
She's got two lovers One in hawaii It doesn't matterHow hard I try
Reiterates the existence of two lovers and the speaker's persistent struggle despite the situation.
But I guess I can follow It can't wait till tomorrow
Repeats the idea of following and emphasizes the immediacy of the decision.
Slipping through my fingers Your lipstick on my vest yeahAir con on ya feelings Cause your life's been a mess oh
Describes a sense of loss, with traces of the person (lipstick) and emotional detachment due to a messy life.
I could never make it through I've never fallen like this too
Expresses the speaker's emotional struggle, feeling unable to endure the situation.
I can tell you go nowhereCause I know you'd fall back to mePlease consider our next dateIt's all about to take that leap
Suggests the person's indecision and hints at the speaker's willingness to reconcile and take a leap together.
She's got two lovers One in hawaii It doesn't matterHow hard I try
Reaffirms the existence of two lovers, highlighting the ongoing internal conflict.
But I guess I can follow It can't wait till tomorrow
Reiterates the intention to follow, underscoring the urgency once again.
Don't wanna goDon't wanna go
Expresses reluctance or hesitation about going forward with the current situation.
Don't wanna go go go
Repeats the reluctance to go, suggesting inner conflict or uncertainty.
Don't want you, want you go ?
Ponders whether the person wants to leave, questioning the future of the relationship.
Don't wanna go go go
Reiterates the reluctance to proceed, emphasizing the internal struggle.
*god*
References "god," possibly indicating a moment of intensity, divine intervention, or a strong emotion.
She's got two lovers One in hawaii It doesn't matterHow hard I try
Recaps the theme of two lovers and the speaker's persistent but challenging efforts.
But I guess I can follow you
Acknowledges the potential to follow the person, maintaining the urgency introduced earlier.
Can I be your lover ?Can I be your lover ?Can I be your lover ?
Presents a direct question, asking if the speaker can become the person's lover.
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