Pretty Boys
Capturing Desires: Pretty Boys' Lens on Life
Lyrics
Look into my lens
Expresses a request to be observed through a camera lens.
Give me all you got
Asks for the subject's full effort or attention.
Work it for me, baby
Encourages someone to perform or pose alluringly.
Let me take my best shot
Suggests the desire to capture the best possible image.
Meet the pretty boys
Introduces the concept of "pretty boys," possibly attractive individuals.
A line of bicycles for hire
Describes a row of bicycles available for rent.
Objects of desire
Refers to the pretty boys as objects of desire.
Working for the squire
Suggests that the pretty boys work for someone of higher social status.
You can look, but you'd better not touch
Advises against physical interaction with the pretty boys.
'Cause here come the pretty boys
Reiterates the arrival of the attractive individuals.
They gonna set your world on fire
Forewarns that the pretty boys will bring excitement or chaos.
Objects of desire
Reiterates the pretty boys as objects of desire.
Preaching to the choir
Suggests that they appeal to a particular group or audience.
They can talk, but they never say much
Highlights the pretty boys' ability to talk without revealing much.
Strike another pose
Encourages striking a visually appealing pose.
Try to feel the light
Suggests attempting to sense or capture the surrounding light.
Hey, the camera loves you
States that the camera has affection for the subject.
Don't put up a fight
Advises not resisting the camera's attention.
There go the pretty boys
Reintroduces the pretty boys, now associated with cottages for rent.
A row of cottages for rent
Describes the cottages as accommodations for a significant event.
For your main event
Clarifies that the cottages are meant for the main event.
They're what the angels sent
Suggests that the pretty boys are special or divine.
You can look, but you'd better not touch
Reiterates the caution against physical contact with the pretty boys.
Look into my lens
Repeats the request to be looked at through the camera lens.
Try to feel the light
Encourages sensing or capturing the light again.
Hey, the camera loves you
Restates the camera's affection for the subject, providing reassurance.
It's gonna be alright
Assures that everything will be fine or acceptable.
Oh, here come the pretty boys
Reiterates the arrival of the attractive individuals, the pretty boys.
A line of bicycles for hire
Describes a line of bicycles for hire, repeating the image.
Objects of desire
Reiterates the pretty boys as objects of desire.
When they're working for the squire
Indicates that they work for someone of higher status or authority.
You can look, but you'd better not touch
Repeats the caution against physical interaction with the pretty boys.
The pretty boys (you'd better not touch)
Reiterates the cautionary advice about touching the pretty boys.
The pretty boys (but you'd better not touch)
Repeats the caution in a slightly altered form.
The pretty boys
Concludes with the repeated mention of the attractive individuals, the pretty boys.
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