NADIVA

The repetition of "HU HUU HU HUU" suggests a melodic, possibly emotional or expressive introduction.

Continuation of the melodic introduction with variations in the repetition.

Introduction of the name "Nadiva," setting the theme for the lyrics.

Addressing Nadiva as a queen, possibly emphasizing her significance or regality.

Repetition of "Nadiva" and "Queen Nadiva," underscoring the focus on this person.

Nadiva

Queen Nadiva

Reference to the first encounter with Nadiva.

Expressing physical reactions (gathering spit and saliva) upon seeing Nadiva for the first time.

I gather spit o

I gather Saliva

Complimenting Nadiva's sweetness using a simile with "Oryza Sativa," a type of rice.

Comparing Nadiva's skin to "Carica papaya," the scientific name for papaya, indicating admiration for her complexion.

Expressing intense emotions and the impact Nadiva has on the speaker.

Continuation of the admiration for Nadiva's skin using poetic language.

Declaring that Nadiva makes the speaker ecstatic or vocal ("shout").

Exclaiming joy or excitement upon seeing Nadiva ("Ayah!").

Ayah!

Expressing deep affection and love for Nadiva.

Wey I see you Dey waka

I swear

Expressing love for Nadiva's physical attributes, particularly her "Baka" (buttocks).

Continuation of the speaker's persistent search for Nadiva.

Indicating the speaker's willingness to travel long distances (to Sokoto) in pursuit of Nadiva.

Go sokoto

Describing the speaker's preparations for the journey, emphasizing the effort put into dressing up.

Wear my shokoto

Expressing determination to reach Nadiva by booking a flight to Sokoto.

Book flight to sokoto

Realizing Nadiva's presence in the speaker's "shokoto" (trousers or life), suggesting surprise and delight.

You Dey my shokoto

Metaphorically transforming the speaker's appearance ("dada to bololo") for Nadiva, highlighting the transformative power of love.

I turn dada to bololo

Expressing the speaker's willingness to do anything for Nadiva, emphasizing love and desire.

I do for you girl

Me I no know wetin

You do me o

But I know say

Me I want you baby o

Reiteration of Nadiva's name and title, emphasizing her significance and the speaker's admiration.

Queen Nadiva

Nadiva

Nadiva

Queen Nadiva

Continued emphasis on Nadiva's importance and regality.

Nadiva Nadiva

Queen Nadiva

Expressing absolute certainty about Nadiva's divine nature.

Further emphasizing Nadiva's divine qualities.

You're divine

You're divine

Introduction of a musical or rhythmic element ("Vibes").

Expressing the fear of losing Nadiva's love and the happiness she brings.

Your love tonight

Cause anytime I see you

You Dey make me smile

Reiteration of the speaker's fear of losing Nadiva's love.

Say I don't want to lose

Your love tonight

Complimenting Nadiva's facial beauty and its effect on the speaker, turning a "bad man" into a joyful one.

Always dey make

A bad man to smile

Reiteration of the transformative power of Nadiva's presence.

Complimenting Nadiva's physical attributes and expressing romantic interest.

Your body too set

Girl I swear say

You be my spec

Assuring Nadiva of the speaker's availability and willingness to be there for her.

I Dey there

I'm just a call a way

Repetition and re-emphasis on Nadiva's name and title, underscoring her importance and the speaker's devotion.

Queen Nadiva

Nadiva nadiva

Queen Nadiva

Nadiva

Ouu

Nadiva Nadiva

Queen Nadiva

Final reaffirmation of Nadiva's divine nature and the speaker's admiration.

You're divine

You're divine

You're divine

Concluding with a mention of "vibes," possibly referring to the overall mood or atmosphere of the song.