Meher Baba M3

We demand a universal grid - The repetition emphasizes a call for a universal framework or system, possibly in a metaphorical sense.

We demand a universal grid

We demand a universal grid

We demand a universal grid

ID-Ray High, Gridlife Chronicles, November the tenth, 1992 - Introducing a specific context or setting related to "ID-Ray High" and "Gridlife Chronicles" in 1992.

I'm working on my own in here, going over some old music I did in 1970 - The speaker is reflecting on past musical work from 1970, possibly indicating a nostalgic or creative process.

It's got something, something special, I could really dream then - Describing a special quality in the music created in 1970 and expressing a sense of creative freedom and dreaming during that time.

It ain't such a bad dream either - Acknowledging that the dream or creative process was positive and not regrettable.

Walking to a club - Transitioning to a scene where the speaker is heading to a club.

I've been completely degraded by chasing publicity - Reflecting on the negative impact of pursuing publicity on personal well-being.

Degraded, yeah, I'll never go back, I know too much - Affirming a decision to avoid returning to a degraded state, having gained knowledge and experience.

I know how it's done, I can't discover it all over again, make it seem new - Expressing a sense of familiarity and the challenge of rediscovering or recreating something to make it feel new.

You're great, Ray, you know that, man, here, hold up, this is the place - Complimenting someone named Ray and indicating the arrival at a significant place.

What? Can't go in here, that bloody cow Ruth Streeting uses this club - Facing resistance to entering the club due to the presence of someone named Ruth Streeting.

She hates my guts - Explaining the reason for Ruth Streeting's negative feelings, possibly related to the speaker's public image.

It's her job to hate your guts, she's a journalist, it's nothing personal - Rationalizing Ruth Streeting's animosity as a professional stance rather than personal dislike.

Oh sod it, I forgot, of course she won't be here, she's in the States - Realizing that Ruth Streeting is not present, eliminating the barrier to entering the club.

Oh c'mon, let's go in anyway - Encouraging entry into the club despite earlier hesitation.

We've got to get back in the mainstream sometime - Acknowledging the importance of returning to mainstream activities or society.

Come on, you own shares in the place - Using ownership as a reason to enter the club confidently.

A humorous exchange about the speaker's perceived ugliness and the decision to enter the club despite it.

Well, you are ugly

I'm not

Yes, you are

No, I'm not

Well, you are, actually

Oh bullocks, Oh, let's go in