The Boys Are Killing Me

Navigating Life's Cruelties: A Melancholic Journey in Northwest Australia
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Lyrics

Yeah

Expression of agreement or acknowledgment

Back in 1996 in northwest Australia

Setting the scene in northwest Australia in 1996

I wonder why you were lyin' on the street alone

Questioning why someone was lying on the street

Another accident inflicted on an innocent child

Describing an accident affecting an innocent child

In the home, while I was on the see-saw

Reflecting on personal activities on a see-saw while the incident occurred

I was in the garden, readin' Papillon

Engaged in reading "Papillon" in the garden

Tellin' myself real people couldn't be so cruel

Doubting the cruelty of real people


And she said, "Honey, what's wrong?"

A character asking another what's wrong

I said, "Babe, what's right?"

Responding with a question about what's right

So we staggered off into the night, oh

Embarking into the night with someone

I'm lucky, I'm lucky, I'm lucky just to sleep at night, oh

Expressing gratitude or relief for being able to sleep at night

So we linked arms and we staggered off into the night

Continuing the journey into the night while linking arms

Drunk, but overjoyed just to be employed

Being drunk but happy to be employed


By the boys

Referring to a group of individuals, possibly friends or colleagues

The boys are killin' me

Expressing the feeling of being negatively affected by the mentioned group

I'm just a sailor and a miner

Identifying oneself as a sailor and a miner

I'm comin' as I am, comin' as I am

Stating one's true self without pretense

Even if you tell me I'm a liar

Defying accusations of dishonesty

The boys are killin' me

Reiterating the negative impact of the mentioned group

I'm just a sailor and a miner

Reaffirming the identity as a sailor and a miner

Mantajarra Walyakarra

Reference to "Mantajarra Walyakarra," possibly a cultural or personal element

Take a deep breath and hold your fire

Advising to pause and avoid conflict or confrontation


Gesticulating wildly and passionate at cars

Describing enthusiastic and passionate gestures toward cars

Parked in the dark on the street, oh

Observing cars parked in the dark on the street

I would've fallen in a hole

Expressing potential danger or vulnerability

If you didn't have my shoulders tight

Grateful for someone providing support and stability

You're swaying like a see-saw

Comparing swaying to a see-saw, possibly indicating instability

If that's what it is to trust another, then you got it all

Recognizing the essence of trust in others

But I don't know if I can trust my country anymore

Doubting trust in one's country


She said, "Honey, what's wrong?"

A character asking another what's wrong

I said, "Babe, what's right?"

Responding with a question about what's right

So we staggered off into the night

Continuing the journey into the night with someone

Drunk, but overjoyed just to be employed

Being drunk but happy to be employed


By the boys

Reiteration of the negative impact of the mentioned group

The boys are killin' me

Expressing the feeling of being negatively affected by the mentioned group

I'm just a sailor and a miner

Identifying oneself as a sailor and a miner

I'm comin' as I am, comin' as I am

Stating one's true self without pretense

Even if you tell me I'm a liar

Defying accusations of dishonesty

The boys are killin' me

Reiterating the negative impact of the mentioned group

I'm just a sailor and a miner

Reaffirming the identity as a sailor and a miner

Mantajarra Walyakarra

Reference to "Mantajarra Walyakarra," possibly a cultural or personal element

Take a deep breath and hold your fire

Advising to pause and avoid conflict or confrontation

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