I Play Forever

Embracing the Street Life: A Journey of Endless Play
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Lyrics

Doo-doo-doo-doo-doo-doo

Repetitive vocal sounds, possibly indicating a rhythmic introduction.

Uh uh, uh

Additional vocal sounds and exclamations, setting the tone.


I fell in love with the street life

Expressing an emotional connection or attraction to the lifestyle associated with the streets.

I-I fell in love with street, that's no lie

Reaffirmation of falling in love with the street life, emphasizing sincerity.

No lie, no, no lie

Repetition for emphasis on the authenticity of the feelings expressed.

No lie, no, no lie

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I fell in love with the street life, I (boo-boo-boo-boo)

Reiteration of falling in love with the street life, accompanied by vocal effects.


Look, got a raw deal, not at all chill

Describing street life experiences, referencing violence and a gritty environment.

Nigga we run up under your food like shopping cart wheels

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My Glock, make you hop and cartwheel

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For props, your block got a call feel

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My name dollar bill, holla y'all ill, gotcha

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Drop tough like a built Tonka

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Still conquer but still ain't contra

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Still pop you through your shield, holla (boo)

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I wasn't in the roof but on the mini scooter

Contrasting personal experiences with mainstream or privileged ones, highlighting a unique upbringing.

Or lickin' hooters with a spliff for Buddha

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I was in the inner city sewer, underground dirty-dirty, in the manure

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Clip in the Ruger, 'cause I was raised different than you were

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Nigga I'm awesome, get off 'em, you all dumb

Asserting individuality and intelligence, dismissing comparisons to others.

You all wonder where I get all of my ambience from

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You all wonder how I come from the swamp and the pond scum

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Peon, comparin' me to y'all is beyond dumb biatch

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Me I'm from where it's dark as Hell

Describing a challenging upbringing, away from prestigious institutions.

'Round the corner from death, right across from Hell

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I am Austin Wells tossed in a garbage pale

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I'm from the bottom not from Harvard or Yale, darlin'

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Uh, prolly took a shot, even shot a few too

Reflecting on a troubled past, involving crime, police, and a harsh environment.

Now my future bright, lookin' out is futile

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My mom was frugal, my pop was brutal

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School of hard knocks, all I did around the clock was doo-doo

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On the block all day and night like a prostitute do

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Every artist out there y'all like on the charts a doo-doo

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I'm from where thots will convolute you, the cops are cuckoo

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Charge you, try you and prosecute you, if not just shoot you

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Knock off your whole tribe with the chopper like Chaka Zulu

Further references to street life, violence, and criminal activities.

Chef the impossible, opposite Pyrex pots are voodoo

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Block magician, I chop a brick to a pasta noodle

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Fuck the charts I roll out I swapped the old out and copped the new-new

Rejecting mainstream success, embracing change, and referencing influential figures.

This is my possible moment of truth, shouts to Guru

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Cocked the Glock, let it do the do like cock-a-doodle

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Hospital, nah, growin' up only doctor you knew

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Was Dr. Dre, Dr. Jay, and maybe that Dr. Drew dude

Acknowledging mentors and a tough upbringing, asserting dominance and skill.

I was raised by Gregory and James Evans, dawg

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I catch you without that weapon that's Frank Drebin, dawg

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That's naked dawg, that's sacred dawg

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I spray your dawg, that's aerosol, let's face it dawg

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I Che Guevara, dawg, y'all make mistakes, not me, I create eras, dawg

Expressing confidence in enduring success, emphasizing artistic and intellectual prowess.

I play forever dawg, ever ever dawg?

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Ever ever dawg, ever ever dawg?

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I play forever, dawg, never lost

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Record of wins and lessons, y'all

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Too effortless with the rhetoric to be a legend dog

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As far as the bars and the measures

Claiming high regard in the realm of lyrical skill, possibly comparing oneself to a deity.

I'm prolly highly regarded as God up in Heaven, dawg

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I play forever, dawg

Affirming an eternal commitment to the art, referencing historical figures and achievements.

I play forever, dawg

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Far as the art, I'm what else but Magellan, dawg

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Hella bars, Nelson Mandela, dawg

Boasting about style and success, acknowledging envy from others.

Draped in Maison Margiela, dawg, they jealous, dawg

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These niggas fake, I'm the eight kissin' the figure eight

Asserting authenticity in contrast to others, showcasing cleverness.

Playin' Drake at a weddin', dawg

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Put that together, dawg, I'm clever dawg

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I play forever, dawg, ever-ever dawg?

Reiterating a commitment to a lasting impact through music, acknowledging blessings and confessions.

Ever-ever dawg

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These sessions are blessings, dawg

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Clever thoughts comin' out the barrel of G Dep Smith & Wessons, dawg

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These thoughts are the confessions, dawg

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Ever dawg, I play forever, dawg

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I-I fell in love with street, that's no lie

Repeating the earlier expression of falling in love with the street life.

No lie, no, no lie

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No lie, no, no lie

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I fell in love with the street life, I

Concluding with a final affirmation of the connection to the street life.

The lyrics of this song contain explicit content.
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