I Play Forever
Embracing the Street Life: A Journey of Endless PlayLyrics
Doo-doo-doo-doo-doo-doo
Repetitive vocal sounds, possibly indicating a rhythmic introduction.
Uh uh, uh
Additional vocal sounds and exclamations, setting the tone.
I fell in love with the street life
Expressing an emotional connection or attraction to the lifestyle associated with the streets.
I-I fell in love with street, that's no lie
Reaffirmation of falling in love with the street life, emphasizing sincerity.
No lie, no, no lie
Repetition for emphasis on the authenticity of the feelings expressed.
No lie, no, no lie
-I fell in love with the street life, I (boo-boo-boo-boo)
Reiteration of falling in love with the street life, accompanied by vocal effects.
Look, got a raw deal, not at all chill
Describing street life experiences, referencing violence and a gritty environment.
Nigga we run up under your food like shopping cart wheels
-My Glock, make you hop and cartwheel
-For props, your block got a call feel
-My name dollar bill, holla y'all ill, gotcha
-Drop tough like a built Tonka
-Still conquer but still ain't contra
-Still pop you through your shield, holla (boo)
-I wasn't in the roof but on the mini scooter
Contrasting personal experiences with mainstream or privileged ones, highlighting a unique upbringing.
Or lickin' hooters with a spliff for Buddha
-I was in the inner city sewer, underground dirty-dirty, in the manure
-Clip in the Ruger, 'cause I was raised different than you were
-Nigga I'm awesome, get off 'em, you all dumb
Asserting individuality and intelligence, dismissing comparisons to others.
You all wonder where I get all of my ambience from
-You all wonder how I come from the swamp and the pond scum
-Peon, comparin' me to y'all is beyond dumb biatch
-Me I'm from where it's dark as Hell
Describing a challenging upbringing, away from prestigious institutions.
'Round the corner from death, right across from Hell
-I am Austin Wells tossed in a garbage pale
-I'm from the bottom not from Harvard or Yale, darlin'
-Uh, prolly took a shot, even shot a few too
Reflecting on a troubled past, involving crime, police, and a harsh environment.
Now my future bright, lookin' out is futile
-My mom was frugal, my pop was brutal
-School of hard knocks, all I did around the clock was doo-doo
-On the block all day and night like a prostitute do
-Every artist out there y'all like on the charts a doo-doo
-I'm from where thots will convolute you, the cops are cuckoo
-Charge you, try you and prosecute you, if not just shoot you
-Knock off your whole tribe with the chopper like Chaka Zulu
Further references to street life, violence, and criminal activities.
Chef the impossible, opposite Pyrex pots are voodoo
-Block magician, I chop a brick to a pasta noodle
-Fuck the charts I roll out I swapped the old out and copped the new-new
Rejecting mainstream success, embracing change, and referencing influential figures.
This is my possible moment of truth, shouts to Guru
-Cocked the Glock, let it do the do like cock-a-doodle
-Hospital, nah, growin' up only doctor you knew
-Was Dr. Dre, Dr. Jay, and maybe that Dr. Drew dude
Acknowledging mentors and a tough upbringing, asserting dominance and skill.
I was raised by Gregory and James Evans, dawg
-I catch you without that weapon that's Frank Drebin, dawg
-That's naked dawg, that's sacred dawg
-I spray your dawg, that's aerosol, let's face it dawg
-I Che Guevara, dawg, y'all make mistakes, not me, I create eras, dawg
Expressing confidence in enduring success, emphasizing artistic and intellectual prowess.
I play forever dawg, ever ever dawg?
-Ever ever dawg, ever ever dawg?
-I play forever, dawg, never lost
-Record of wins and lessons, y'all
-Too effortless with the rhetoric to be a legend dog
-As far as the bars and the measures
Claiming high regard in the realm of lyrical skill, possibly comparing oneself to a deity.
I'm prolly highly regarded as God up in Heaven, dawg
-I play forever, dawg
Affirming an eternal commitment to the art, referencing historical figures and achievements.
I play forever, dawg
-Far as the art, I'm what else but Magellan, dawg
-Hella bars, Nelson Mandela, dawg
Boasting about style and success, acknowledging envy from others.
Draped in Maison Margiela, dawg, they jealous, dawg
-These niggas fake, I'm the eight kissin' the figure eight
Asserting authenticity in contrast to others, showcasing cleverness.
Playin' Drake at a weddin', dawg
-Put that together, dawg, I'm clever dawg
-I play forever, dawg, ever-ever dawg?
Reiterating a commitment to a lasting impact through music, acknowledging blessings and confessions.
Ever-ever dawg
-These sessions are blessings, dawg
-Clever thoughts comin' out the barrel of G Dep Smith & Wessons, dawg
-These thoughts are the confessions, dawg
-Ever dawg, I play forever, dawg
-I-I fell in love with street, that's no lie
Repeating the earlier expression of falling in love with the street life.
No lie, no, no lie
-No lie, no, no lie
-I fell in love with the street life, I
Concluding with a final affirmation of the connection to the street life.
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