Lover

Intoxicating Confessions of Passion in Sam Seg's 'Lover'
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Lyrics

Oh, kiss, kiss me now

Expressing a desire for a kiss in the present moment.

Before I, I lose it all

A plea to receive a kiss before losing everything.

Oh, skin, skin on skin

Describing a close, intimate connection with someone's skin.

Never been this way before

Expressing a unique and unfamiliar emotional state.


There is something I should know

Hinting at undisclosed information that the speaker should be aware of.

I'm not the one you're dreaming of

A realization that the speaker is not the primary focus of the other person's dreams.

We make love all night although

Despite the realization, the speaker and the other person engage in passionate lovemaking throughout the night.

You've got a lover

Acknowledging the presence of a third party—a lover waiting for the other person.

Waiting for you

Repetition of the idea that the lover is waiting for the person to come home.

To come home

-

To come home

-

To come home

-

Oh, push, you push me away

Describing a situation where the other person pushes the speaker away while simultaneously wanting them to stay.

While begging me to stay, you can't get enough

Highlighting the paradoxical behavior of the other person, expressing insatiable desire.

Oh, you, got a little too much

Pointing out that the other person is slightly intoxicated.

A little bit too drunk and now you say things I need to hear

Due to intoxication, the other person speaks words that are comforting or affirming.


There is something I should know

Repetition of the notion that there is undisclosed information the speaker should be aware of.

I'm not the one you're dreaming of

Reiteration that the speaker is not the main subject of the other person's dreams.

We make love all night although

Despite the awareness, the speaker and the other person continue their passionate activities.

You've got a lover

Reaffirming the presence of a lover waiting for the other person.

Waiting for you

Continued repetition of the idea that the lover is waiting for the person to come home.

To come home

-

To come home

-

To come home

-

Oh, it's cold outside

Describing the external environment as cold, suggesting discomfort.

You can't walk home alone

Expressing the inability to walk home alone, possibly seeking companionship or assistance.

Oh, you're here tonight

The other person is present tonight, providing warmth to the speaker's body.

To keep my body warm

Highlighting the role of the other person in keeping the speaker physically warm.


There is something I should know

Reiteration of undisclosed information that the speaker should know.

I'm not the one you're dreaming of

Emphasizing that the speaker is not the primary subject of the other person's dreams.

We make love all night although

Despite the awareness, the physical connection continues through the night.

You've got a lover

Confirming the presence of a lover waiting for the other person.

Waiting for you

Repeated assertion that the lover is waiting for the person to come home.

To come home

-

To come home

-

To come home

-

To come home

-

To come home

-

To come home

Final repetition, underscoring the anticipation of the lover for the other person's return.

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