Who's Loving You
Yearning Echoes: Unraveling Love's Regret in Sananda Maitreya's Melody
Lyrics
When I had you
Expressing regret for past actions when the speaker had the person mentioned.
I treated you bad and wrong my dear
Acknowledging mistreatment and wrongdoings towards the person referred to as "my dear."
Girl since since you been gone
Highlighting the sense of loss and emptiness since the person has been absent.
Don't you know I sit around
Describing the speaker's emotional state, spending time in reflection.
With my head hanging down
Conveying a posture of sadness and despair with the head hanging down.
And I wonder who's lovin' you
Pondering and questioning who currently holds the affection of the person who is no longer with the speaker.
I, I, I, I should have never made you cry
Expressing remorse for causing the person to cry, indicating regret for past actions.
And girl since since you've been gone
Reiterating the impact of the person's absence on the speaker's emotional state.
I sit around with my head hanging down
Reflecting on the emotional aftermath, with the head still hanging down.
And I wonder who's lovin' you
Repeating the question of who might be the current object of the person's love.
Life without love is oh so lonely
Stating that life without love is lonely, emphasizing the importance of love.
I don't think I'm gonna make it
Expressing doubt about the speaker's ability to cope with life without the person.
All my life, all my life belongs to you only
Declaring a commitment of the speaker's entire life to the person addressed.
Come on and take it girl
Encouraging the person to accept the speaker's devotion.
Come on and take it because
Reiterating the plea for the person to accept the speaker's love.
All, all I can do
Describing the limited action of the speaker, reduced to crying in the absence of the person.
Since you been gone is cry
Continuing to express the emotional response of the speaker to the absence of the person.
And don't you ever wonder
Prompting the person to consider and question the speaker's current actions.
And worry your pretty little head
Advising the person not to worry about the speaker's actions.
'Bout what I do
Asking the person not to be concerned about the speaker's behavior.
Don't you know I sit around
Repeating the description of the speaker's emotional state with a hanging head.
With my head hanging down
Restating the question of who might be loving the person in the speaker's absence.
And I wonder who's lovin' you
Concluding with a repetition of the central theme, wondering about the person's current love interest.
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