Nothing Left
Unveiling the Shadows: A Soul's Cry for RedemptionLyrics
Another day passes by, and still no change in sight
Expresses a passage of time without noticeable change or improvement.
I question what my life is for, scared of the answer
Reflects fear or apprehension about discovering the purpose or meaning of one's life.
I lock myself away from you, no one will ever know
Describes isolation or withdrawal from others, maintaining secrecy or privacy.
And all you see is just a cover for the pain inside
Suggests presenting a facade or outward appearance that conceals emotional pain.
Save me, there's nothing left of me, now
Expresses a feeling of having been emotionally depleted or having nothing left.
Bring me down
Implies a desire or feeling of being brought down emotionally.
There's nothing left of me
Reiterates a sense of emotional depletion or having no remaining strength.
Now I'm falling faster
Conveys a sensation of descending or deteriorating swiftly.
I can't escape
Emphasizes feeling trapped or unable to break free from a situation.
What's this thing that they call love
Questions the understanding or experience of love.
I still don't know how it feels
Expresses continued uncertainty or unfamiliarity with the feeling of love.
So full of scars I can't let go
Describes emotional wounds or traumas that are hard to release.
It hurts to think it's all real
Highlights the pain of acknowledging the reality of these emotional wounds.
I'll wait for another tomorrow
Expresses a sense of waiting or hoping for a better future.
In hopes this all will heal
Describes an expectation or desire for healing over time.
I can't escape it
Conveys a feeling of being unable to escape from a distressing situation.
It brings me down
Reiterates the emotional impact of being brought down or affected negatively.
So I, hide away, where no one can see the pain inside
Describes the act of hiding emotional pain from others by seeking seclusion.
Will it end, will it ever end
Questions whether the emotional pain will ever come to an end.
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