Tangier

Journey Through Tangier: A Heart's Odyssey Unveiled
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Lyrics

Got a hole in my heart. And I can’t fill it up.

Feeling emotionally wounded, a deep void exists in the speaker's heart that seems insurmountable.

Big as that long breakwater; wide as the Straight of Gibraltar.

Describing the enormity of the emotional void using the imagery of the long breakwater and the wide expanse of the Strait of Gibraltar.

Gibraltar.

A repetition of "Gibraltar," possibly emphasizing the significance of this location in relation to the emotional struggle.

Gib-ib-braltar.

Repetition of "Gibraltar" with a playful variation, possibly indicating a creative or exploratory approach to dealing with the emotional hole.


I’m not done getting lost.

The speaker expresses a sense of ongoing exploration and self-discovery, suggesting that the process of healing is not complete.

I’m a wayward astronaut; A map-less pioneer,

The speaker likens themselves to a wayward astronaut and a map-less pioneer, highlighting a lack of direction or guidance in their journey.

riding a wind that brought me here.

Riding a wind that brought the speaker to a specific destination, indicating a surrender to fate or external forces.

Here to Tangier.

Arrival at Tangier, a place of significance in the speaker's journey, possibly representing a turning point or a destination in the emotional landscape.


All day long a rooster crows. The collared dove sings along.

Describing the sounds of a rooster crowing and a collared dove singing, creating an atmospheric backdrop to the speaker's experiences in Tangier.

And I’ll sit by, sit by your side a mile above, above the tide.

The speaker sits by someone's side, positioned high above the tide, suggesting a sense of elevation or detachment from the emotional turbulence.

And I’ll sit by, sit by your side. We’ll watch the boats go by.

Continuation of sitting by someone's side, sharing a tranquil moment of watching boats go by, possibly symbolizing the passage of time.


You’re made of sand and wind. I cannot touch your skin.

Describing the person in Tangier as elusive, made of sand and wind, emphasizing the inability to connect with them on a deeper level.

The way a lover oughta. The way I really wanna.

Expressing a desire for physical intimacy, contrasting the current inability to touch with the speaker's yearning.

I wanna.

Repetition of the desire for physical intimacy, emphasizing the speaker's longing.

I wa-wanna.

Playful repetition of "wanna," possibly reflecting the lighthearted or whimsical nature of the desire.


I’ll tell you all my thoughts while you peel the apricots.

Sharing personal thoughts while engaging in a mundane activity, like peeling apricots, indicating a sense of openness and vulnerability.

And when you’re standing near …ooooh .

The speaker expresses enjoyment of the person's presence, marked by an audible expression ("ooooh").

I like being here.

Stating a preference for being in Tangier, suggesting a positive connection between the location and the emotional experience.

Here in Tangier.

Reiteration of the speaker's physical location in Tangier, underscoring its importance in the narrative.


I got a hole in my heart because I must depart

Repeating the idea of a hole in the heart, now linked to the necessity of departure.

With the wind across the water in a boat without a rudder.

Describing the departure across the water, emphasizing the lack of control or guidance with the mention of a boat without a rudder.

A rudder.

Repetition of "rudder," possibly highlighting the lack of direction in the impending journey.

A ru-rudder.

Playful repetition of "rudder," possibly indicating a resigned acceptance of the lack of control in the journey.


Let me disappear.

The speaker expresses a desire to disappear, suggesting a contemplation of self and identity.

I could do it here.

Suggesting that Tangier is a place where the speaker could achieve the desired disappearance, possibly due to its significance in the speaker's emotional journey.

In Tangier.

Reiteration of the idea of disappearing in Tangier, emphasizing the place's role in the speaker's contemplation of self.

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