Chapter 27
Echoes of Betrayal: Unraveling the Dark Symphony of 'Chapter 27'
Lyrics
It’s been a long time since I’ve seen your face
Expressing a long time since seeing the person's face, indicating a significant gap in time or distance.
Yeah you best run away, cause I can’t give chase anymore
Suggesting the speaker's inability or unwillingness to pursue the person any longer.
Lose your step, fall again, never expected much then
Highlighting a pattern of the person stumbling and falling, with low expectations, yet surprising disappointment in their eyes.
But I’m still left surprised by your miserable eyes
Despite low expectations, the speaker is still surprised by the person's miserable eyes.
(By your miserable eyes)
Reiterating the impact of the person's miserable eyes on the speaker.
It’s been a long day and I’m still in bed
Describing a long day, still in bed, planning revenge on the person.
Planning out my revenge on your face and your neck
Expressing a desire for revenge on the person's face and neck.
Would you try me, bend it till it snaps
Challenging the person to try the speaker, with a willingness to face consequences.
And I won’t run away cause I feel no regret
Committing to not running away despite feeling no regret.
So please don’t tell me I’ve done wrong
Pleading not to be judged for perceived wrongdoing.
I’ve had this building up all along
Admitting to suppressed emotions building up over time.
Contuse my neck and break an arm
Mentioning physical harm, reflecting the speaker's internal struggles.
My brain’s been warped and you’re long gone
Describing a distorted mind and the person being long gone.
And you're long gone
Repeating the acknowledgment of the person's absence.
It’s been a long trip and it’s at an end
Indicating the end of a long journey with visible physical injuries.
Got a scratch on my face and a bruise on my neck, would you
Asking if the person would lie there and search for meaning in the situation.
Lie there and search for some sense
Noting disappointment in the person's inability to find sense.
Cause it’s not hard to find and I’m disappointed
Expressing disappointment and ease in finding sense, contrasting with the person's difficulty.
It’s been a ways back, I burnt both my hands
Referring to past struggles and hardships.
Reaching for the stars and sinking in sand,
Symbolizing reaching for dreams and sinking into difficulties.
Watch me take it out on you and your friends
Announcing an intention to take out frustration on the person and their friends.
You can suffer with me all the way to the end
Inviting the person to suffer alongside the speaker.
So please don’t tell me I’ve done wrong
Repeating the plea not to be judged for perceived wrongdoing.
I’ve had this building up all along
Reiterating the buildup of suppressed emotions.
Contuse my neck and break an arm
Repeating the mention of physical harm and the person being long gone.
My brain’s been warped and you’re long gone
Reiterating the distorted state of the speaker's mind and the person's absence.
And you're long gone
Repeating the acknowledgment of the person's absence.
It all just seems to bend and break when you least want it (One by one)
Describing things bending and breaking at inconvenient times, possibly mirroring emotional struggles.
It all just seems to disappear when you most love it (Break me down)
Highlighting the ephemeral nature of things disappearing when most cherished.
Your words, they sink so deep I wonder where to find them (Tear me out)
Expressing the deep impact of the person's words, questioning where to find them.
And your lies sting like a dead man’s words etched on his coffin (Hang me out to dry)
Comparing the sting of lies to words on a dead man's coffin, emphasizing pain and permanence.
So please don’t tell me I’ve done wrong
Repeating the plea not to be judged for perceived wrongdoing.
I’ve had this building up all along
Reiterating the buildup of suppressed emotions.
Contuse my neck and break an arm
Repeating the mention of physical harm and the person being long gone.
My brain’s been warped and you’re long gone
Reiterating the distorted state of the speaker's mind and the person's absence.
I've got a secret now
Introducing a secret, possibly related to the speaker's emotional state.
My manic rage and on who I've took it out
Mentioning manic rage and directing it towards someone.
So lay there by the bay
Instructing the person to reflect on the mess they created while lying by the bay.
And think of all the mess that you made
Asking the person to contemplate the consequences of their actions.
The mess that you made
Reiterating the idea that the person is responsible for the mess.
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