Gunboat

Unrestrained Adventure: Gunboat's Rebellious Tale
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Lyrics

Verse 1:

Introduction to the first verse, setting the tone.

Out of control beetings on teh drum though

Describing energetic beats on the drum, possibly chaotic.

Go elephant dumb go dumbo

Encouraging a lively and carefree attitude, referencing elephants and Dumbo.

go honour what i say like my tongue

Emphasizing the importance of honoring spoken words.

bo shebeleza shebeleza congo

Referencing Shebeleza and Congo, suggesting a mix of cultures or influences.

bad to the bone, bhuti urongo

Describing someone as "bad to the bone" with the term "bhuti urongo."

Bad meaning mad, nuts and bongos

Explaining the intensity of being "bad" with madness, nuts, and bongos.

knock it out, headbut ngespoongo

Encouraging knocking out challenges with determination.

Boom, frosted African on the track again

Announcing the presence of a confident African on the track.

With a gang of thick Pakistani girls not form Pakistan

Highlighting a diverse group of Pakistani girls with thick features.

Yes they packing hips and thick thighs like whats happening

Emphasizing the attractiveness of the Pakistani girls.


HEY, PIRATE SHIP ON THE COAST

Introducing a pirate ship on the coast as a metaphor for a threat or challenge.

GULLY CREEPER, GULLY GUNBOAT

Describing the pirate ship as a "gully creeper" or gunboat.

SWORD SWINGING, SLASH FOR YOUR THROAT

Depicting a threatening scenario with sword swinging and potential harm.

AND EXPLODE TODAY

Emphasizing the urgency of dealing with the threat today.

TO PAY TODAY

Suggesting consequences or payments for actions.


WE COME TO RUN YOUR MONEY DOWN

Declaring an intention to disrupt financial stability.

PIRATE SHIPS ON THE COAST, GUN BOAT EY

Reiterating the presence of pirate ships and gunboats on the coast.

WE COME TO MARKET, RUN YOUR TOWN

Announcing a plan to take control of the market and town.

NO RENT, NO BARCODE, GUNBOAT EY

Rejecting established norms with "no rent, no barcode" in the gunboat context.


VERSE 2:

Beginning the second verse with a new theme.

PILLOW FIGHT KING

Claiming authority or dominance, possibly in a playful manner.

CAME FOR YOUR GIRL, FOR YOUR WORLD, I'M A VIKING

Expressing a Viking-like approach in pursuing relationships.

HYPE GUY HMMM, SWINGING SOCKS IN THE AIR

Describing a confident and enthusiastic person swinging socks in the air.

RICHARD THE THIRD UP UP IN THE AIR

Referencing "Richard the Third" in a humorous or playful context.

BETTER CHECK THE PULSE IF YOU THINK THAT WE CARE

Encouraging checking the pulse to gauge the intensity of the situation.

BETTER CHECK THE PULSE, SCHITT CHILL LIKE WE DEAD

Emphasizing a carefree attitude, likening it to being dead.

ZOMBIE IN THE DANCE, WHO YOU GONNA CALL,

Introducing a zombie in the dance, possibly representing a unique or unconventional presence.

SORRY THERE'S NO CREDIT LEFT FOR YOU ALL

Apologizing for the unavailability of credit, possibly suggesting a lack of interest or concern.

YOU LIKE TO PLAY PRETEND WE NAH STAY UP WORRIED

Rejecting worries and portraying a carefree attitude.

LET YOU TALK SCHITT WITH YOUR BULLSCHITT QUARREL

Addressing criticism or conflict and dismissing it as nonsense or quarrel.

BULLSCHITT QUARREL BABA, BULLSCHITT QUAREL!

Repeating the dismissal of conflict with emphasis.

The lyrics of this song contain explicit content.
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