Two Poodles One Cake
Echoes of Lost Love: Tawni Bias Unravels Mysteries in 'Two Poodles One Cake'Lyrics
Settle down new one
Encouraging someone to calm down and settle in.
Two cynics high on the stove
Two skeptical individuals under the influence.
Mercy now not some blue hope
Expressing a plea for mercy rather than relying on uncertain optimism.
Is it sandstone callin us a hoax
Questioning if there's a deceptive element in the situation.
Light season we lost Timothy
Referring to a past time when Timothy was lost during a light season.
Mary later taught us how to grieve
Learning to grieve from Mary after the loss.
Foreign bodies you threw a stone
Someone threw a stone, possibly causing a disturbance.
Until this black hole drew us back alone
A black hole metaphorically drew the individuals back together.
Hallowed scene was all too seen
A sacred or revered scene that was witnessed or experienced.
That's when we saw the cost
A realization of the emotional or tangible cost associated with the scene.
Force my mouth wide open
An act of being forced to express oneself openly.
And see I have your teeth
A symbolic gesture indicating a close connection or influence.
We're goin dark upon the sand
Entering a period of darkness or uncertainty on the sand.
So keep the hound from the door
Advising to keep potential threats away.
Keep the hound from the door
Reiteration of the warning to keep dangers at bay.
From the door
Emphasizing the importance of keeping threats away.
Not on your life
Denying something at any cost.
The dog may look at the king
Using a saying to convey that certain actions are inappropriate.
But I've never dropped my box of hats and rings
Asserting that personal belongings have never been dropped.
And now you bathe because I was
Implying a bath is taken due to a failure to catch someone at the door.
Too corse to catch you at the door
Referring to a past event where coarseness prevented an interception.
Hallowed scene now never seen
Revisiting a sacred scene that is now elusive.
Somehow you occupied that space
Someone occupied a space within the sacred scene.
When it's about the glass and not the
Highlighting the importance of the glass rather than the light passing through it.
The light that passes through it
Emphasizing the medium (glass) over the message (light).
You don't hint me and in that
Suggesting a lack of subtlety, with honesty in that.
I think there's something kind of honest
Reflecting on the speaker's perception of honesty in the situation.
We're goin' dark upon the sand
Repeating the idea of entering darkness or uncertainty on the sand.
So keep the hound from the door
Reiterating the warning to keep potential threats away.
Keep the hound from the door
Repeating the advice to keep dangers at bay.
From the door
Emphasizing the importance of keeping threats away.
Starling beacons dessert rats
Introducing starling beacons and desert rats, possibly symbolic elements.
We're goin dark upon the sand
Reiterating the idea of entering darkness or uncertainty on the sand.
Talked down from sixteen hundred
Referring to a negotiation or discussion brought down from a high number.
We're goin dark upon the sand
Repeating the idea of entering darkness or uncertainty on the sand.
Starling beacons dessert rats
Reintroducing starling beacons and desert rats.
We're goin dark upon the sand
Reiterating the idea of entering darkness or uncertainty on the sand.
Talked down from sixteen hundred
Referring to a negotiation or discussion brought down from a high number.
We're goin dark upon the sand
Repeating the idea of entering darkness or uncertainty on the sand.
We're goin dark upon the sand
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