Two Poodles One Cake

Echoes of Lost Love: Tawni Bias Unravels Mysteries in 'Two Poodles One Cake'
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Lyrics

Settle down new one

Encouraging someone to calm down and settle in.

Two cynics high on the stove

Two skeptical individuals under the influence.

Mercy now not some blue hope

Expressing a plea for mercy rather than relying on uncertain optimism.

Is it sandstone callin us a hoax

Questioning if there's a deceptive element in the situation.

Light season we lost Timothy

Referring to a past time when Timothy was lost during a light season.

Mary later taught us how to grieve

Learning to grieve from Mary after the loss.

Foreign bodies you threw a stone

Someone threw a stone, possibly causing a disturbance.

Until this black hole drew us back alone

A black hole metaphorically drew the individuals back together.

Hallowed scene was all too seen

A sacred or revered scene that was witnessed or experienced.

That's when we saw the cost

A realization of the emotional or tangible cost associated with the scene.

Force my mouth wide open

An act of being forced to express oneself openly.

And see I have your teeth

A symbolic gesture indicating a close connection or influence.

We're goin dark upon the sand

Entering a period of darkness or uncertainty on the sand.

So keep the hound from the door

Advising to keep potential threats away.

Keep the hound from the door

Reiteration of the warning to keep dangers at bay.

From the door

Emphasizing the importance of keeping threats away.

Not on your life

Denying something at any cost.

The dog may look at the king

Using a saying to convey that certain actions are inappropriate.

But I've never dropped my box of hats and rings

Asserting that personal belongings have never been dropped.

And now you bathe because I was

Implying a bath is taken due to a failure to catch someone at the door.

Too corse to catch you at the door

Referring to a past event where coarseness prevented an interception.

Hallowed scene now never seen

Revisiting a sacred scene that is now elusive.

Somehow you occupied that space

Someone occupied a space within the sacred scene.

When it's about the glass and not the

Highlighting the importance of the glass rather than the light passing through it.

The light that passes through it

Emphasizing the medium (glass) over the message (light).

You don't hint me and in that

Suggesting a lack of subtlety, with honesty in that.

I think there's something kind of honest

Reflecting on the speaker's perception of honesty in the situation.

We're goin' dark upon the sand

Repeating the idea of entering darkness or uncertainty on the sand.

So keep the hound from the door

Reiterating the warning to keep potential threats away.

Keep the hound from the door

Repeating the advice to keep dangers at bay.

From the door

Emphasizing the importance of keeping threats away.

Starling beacons dessert rats

Introducing starling beacons and desert rats, possibly symbolic elements.

We're goin dark upon the sand

Reiterating the idea of entering darkness or uncertainty on the sand.

Talked down from sixteen hundred

Referring to a negotiation or discussion brought down from a high number.

We're goin dark upon the sand

Repeating the idea of entering darkness or uncertainty on the sand.

Starling beacons dessert rats

Reintroducing starling beacons and desert rats.

We're goin dark upon the sand

Reiterating the idea of entering darkness or uncertainty on the sand.

Talked down from sixteen hundred

Referring to a negotiation or discussion brought down from a high number.

We're goin dark upon the sand

Repeating the idea of entering darkness or uncertainty on the sand.

We're goin dark upon the sand

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