Sixteen Tons

Struggles and Redemption: Unveiling the Grit in 'Sixteen Tons'
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Lyrics

Some people say a man is made outta mud

Some people believe a man is formed from humble materials like mud.

A poor man's made outta muscle and blood

A poor man is characterized by his physical strength, composed of muscle and blood.

Muscle and blood and skin and bones

Describing the components of a person: muscle, blood, skin, and bones.

A mind that's a-weak and a back that's strong

Highlighting a contradiction between a weak mind and a strong back.


You load sixteen tons, what do you get?

Pondering the result of loading sixteen tons of something.

Another day older and deeper in debt

The consequence of hard labor: growing older and accumulating debt.

Saint Peter don't you call me 'cause I can't go

Declining a call from Saint Peter, suggesting an inability to escape the situation.

I owe my soul to the company store

Expressing indebtedness to the company store, implying a cycle of financial dependency.


I was born one mornin' when the sun didn't shine

Recalling the narrator's birth in unfavorable circumstances.

I picked up my shovel and I walked to the mine

Taking up work early, heading to the mine with a shovel.

I loaded sixteen tons of number nine coal

Performing hard labor by loading sixteen tons of coal.

And the straw boss said "Well, a-bless my soul"

Receiving surprise or admiration from the supervisor (straw boss).


You load sixteen tons, what do you get?

Reflecting on the repeated action of loading sixteen tons.

Another day older and deeper in debt

Reiterating the consequence of aging and accumulating debt through labor.

Saint Peter don't you call me 'cause I can't go

Reaffirming the refusal to answer Saint Peter's call due to indebtedness.

I owe my soul to the company store

Emphasizing the ongoing soul debt owed to the company store.


I was born one mornin', it was drizzlin' rain

Recalling a challenging birth in drizzling rain.

Fightin' and trouble are my middle name

Describing a life marked by conflict and trouble.

I was raised in the canebrake by an ol' mama lion

Being raised in difficult circumstances by a strong mother figure.

Cain't no-a high-toned woman make me walk the line

Rejecting the influence of a sophisticated woman.


You load sixteen tons, what do you get?

Reiterating the impact of loading sixteen tons on the narrator's life.

Another day older and deeper in debt

Emphasizing the ongoing process of aging and accumulating debt.

Saint Peter don't you call me 'cause I can't go

Declining the call from Saint Peter due to the narrator's situation.

I owe my soul to the company store

Continuing to owe one's soul to the company store.


If you see me comin', better step aside

Warning others to step aside when the narrator approaches.

A lotta men didn't, a lotta men died

Noting the consequences for those who don't heed the warning.

One fist of iron, the other of steel

Describing the narrator's fists, symbolizing strength and power.

If the right one don't a-get you, then the left one will

Emphasizing the inevitability of facing consequences, either from the right or left.


You load sixteen tons, what do you get?

Repeating the question about the result of loading sixteen tons.

Another day older and deeper in debt

Reiterating the impact of hard labor on aging and debt.

Saint Peter don't you call me 'cause I can't go

Declining the call from Saint Peter due to ongoing indebtedness.

I owe my soul to the company store

Stating the enduring indebtedness of the soul to the company store.

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