Stop That Girl

Feeling intense desire or passion represented by the metaphor of burning numbers on a matchbook.

Comparing oneself to a largemouth bass hanging on a hook, suggesting vulnerability or being captivated.

Being drawn in or attracted by the person, described as reeling up like a fish on a hook.

Asking about the girl's drink choice, possibly trying to understand her preferences or start a conversation.

Expressing curiosity or approval regarding the girl's actions or behavior.

Complimenting the girl's appearance and suggesting an intention to fill her cup, likely with a drink.

Continuing the idea of offering a drink or hospitality to the girl.

Encouraging the girl to stop, possibly in a playful or flirtatious manner.

Warning the girl about the possibility of a country boy falling in love with her.

Reiterating the advice to stop, now emphasizing the use of a red light to slow down.

Suggesting a cautious approach to avoid a rapid romantic involvement.

Expressing amazement or admiration using the phrase "good God almighty."

Describing the girl's movements in daisy dukes, emphasizing their tiny size.

Repeating the advice to stop the girl, acknowledging the challenge of resisting once they start kissing.

Highlighting the inevitable and intense nature of the heartbeat when kissing begins.

Asserting that there is no quitting once the romantic involvement begins.

Expressing a hope that the girl won't stop the romantic progression.

Mentioning a jukebox and the potential for lively and enjoyable moments, but with a sense of potential chaos.

Anticipating a wild or energetic response, symbolized by the roof going off.

Suggesting a desire to showcase dance moves, possibly in a playful or entertaining manner.

Imagining a scenario of dancing and moving together.

Comparing the girl to "Chattahoochie," possibly referring to a lively and enjoyable dance or experience.

Encouraging the girl to shake her booty in a flirtatious manner.

Suggesting the possibility of engaging in intimate activities on a tabletop in a corner booth.

Repeating the warning to stop the girl to avoid a country boy falling in love.

Emphasizing the potential consequence of a romantic attraction to a country boy.

Reiterating the advice to stop the girl, now with the addition of a red light for emphasis.

Continuing the cautious approach to slow down the pace of the romantic involvement.

Repeating the expression of amazement or admiration with the phrase "good God almighty."

Describing the girl's movements again, emphasizing the tiny size of the daisy dukes.

Reiterating the advice to stop the girl, acknowledging the challenge of resisting once they start kissing.

Highlighting the inevitable and intense nature of the heartbeat when kissing begins.

Asserting that there is no quitting once the romantic involvement begins.

Expressing a hope that the girl won't stop the romantic progression.

Repeated emphasis on the command to stop the girl, creating a catchy and rhythmic refrain.

Stop that girl

Stop that girl

Stop that girl

Repetition of the earlier verses, reinforcing the themes of caution, admiration, and hope regarding the romantic encounter.

If you don't want a country boy fallin' in love

You better stop that girl

Put a red light on her, slow it down, sho' nuff

I'm talkin' a good God almighty

Movin' and groovin', them daisy dukes are so tiny

Better stop that girl

Who'm I kiddin'? Once we get to kissin', heartbeat hittin'

Ain't no quittin'

Hope you don't stop that girl