Lyrics
She’s a devil In disguise
Describing the woman as a deceptive figure, possibly with a rebellious or non-conformist nature.
She can get so wild in a minute
Highlighting the woman's ability to become energetic or unrestrained suddenly.
You can see in her eyes
Suggesting that her emotions and intentions are visible or evident in her eyes.
She’s pushing her heart to the limit
Indicating that she is pushing herself emotionally to the extreme.
When the night comes out
Referring to nighttime and setting the scene for a particular mood or atmosphere.
And the moon is bright you can see it
Implies that her true nature is more noticeable under the moonlight.
She puts away her cigarette
Symbolizing a change in behavior, possibly a moment of reflection or vulnerability.
As she lays under her bed to say
Suggesting a contemplative state as she lies down, perhaps revealing her true feelings.
Don’t you know that loves hurts? I know
Acknowledging the pain and challenges associated with love.
Don’t you know that it gets worse? I know
Reinforcing the idea that the difficulties in love intensify over time.
Life’s been bad for the both of us, I know, no, no
Expressing shared hardships between the narrator and the woman.
I know
Repetition for emphasis on the shared understanding of hardship.
She’s a rebel in disguise
Reiterating the woman's rebellious nature while maintaining a facade.
She can get so high in a minute
Emphasizing her ability to reach heightened emotional states quickly.
You can see in her eyes
Connecting her emotional intensity to her eyes.
She’s pushing her mind to the limit
Stating that she challenges her mental limits or boundaries.
When the day comes out
Referring to daytime and a bright sun, possibly symbolizing clarity or truth.
And the sun shines bright you can see it
Implying that her true nature is more visible in the daylight.
She puts away her cigarette
Similar to line 7, indicating a change in behavior or attitude.
As she slays under her bed to say
Describing her actions while lying under her bed, possibly a metaphor for self-reflection.
Don’t you know that loves hurts? I know
Repeating the theme of love's pain and its impact on the narrator.
Don’t you know that it gets worse? I know
Reinforcing the idea that the challenges of love worsen over time.
Life’s been bad for the both of us, I know, no, no
Reiterating the shared struggles between the narrator and the woman.
I know
Repetition for emphasis on the understanding of mutual hardship.
When the show is over
Introducing a different scenario, possibly post-performance or a moment of solitude.
And you got nowhere to call home (call home)
Describing a situation where there is no place to call home, suggesting a sense of displacement.
When the curtains close
Referring to the end of a performance or a significant event.
And you got nowhere to go
Continuing the theme of having nowhere to go, possibly indicating a feeling of emptiness.
Don’t you know that loves hurts? I know
Repeating the refrain about the painful aspects of love.
Don’t you know that it gets worse? I know
Reiterating the idea that love's challenges intensify over time.
Life’s been bad for the both of us, I know, no, no
Restating the shared hardships between the narrator and the woman.
Don’t you know that loves hurts? I know
Repeating the theme of love's pain and its impact on the narrator.
Don’t you know that it gets worse? I know
Reinforcing the idea that the challenges of love worsen over time.
Life’s been bad for the both of us, I know
Reiterating the shared struggles between the narrator and the woman.
No, no, no, no, no, no
Repetition for emphasis on the understanding of mutual hardship.
I know
Concluding with a firm acknowledgment of shared understanding and hardship.
Comment